Controls and Art : (Record no. 1048334)

001 - CONTROL NUMBER
control field EBC1698134
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
additional material characteristics m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200419s2014 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783319039046
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Cancelled/invalid ISBN 9783319039039
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC1698134
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL1698134
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr10831929
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL601422
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)880132003
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number TA1-2040
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 629.8/312
090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (OCLC)
Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) TA1-2040
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Laviers, Amy.
245 10 - TITLE STATEMENT
Title Controls and Art :
Remainder of title Inquiries at the Intersection of the Subjective and the Objective.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 -
-- Cham :
-- Springer,
-- 2014.
264 #4 -
-- ©2014.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (238 pages)
336 ## - Content
Term text
Code txt
Content rdacontent
337 ## - Media
Term computer
Code c
Media rdamedia
338 ## - Carrier
Term online resource
Code cr
Carrier rdacarrier
490 0# - SERIES STATEMENT
Series statement eBooks on Demand
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Preface -- Contents -- 1 Metric Preference Learning with Applications to Motion Imitation -- 1.1 Introduction to Motion Imitation Through Puppetry -- 1.2 Preference Learning -- 1.3 Problem Formulation -- 1.4 The Preference Graph -- 1.5 Metric Costs -- 1.5.1 Bounded Case -- 1.5.2 Unbounded Case: The Minimax-Rate Problem -- 1.6 An Asymptotic Observer for Metric Cost Models -- 1.7 Applications -- 1.7.1 Apples and Oranges -- 1.7.2 Amoebas and Humans -- 1.8 Concluding Remarks -- References -- 2 In the Dance Studio: An Art and Engineering Exploration of Human Flocking -- 2.1 Flock Logic -- 2.2 Human Flocking -- 2.2.1 Explorations -- 2.2.2 FlockMaker -- 2.2.3 Experiments -- 2.3 Trajectory Tracking -- 2.4 Graph Theory and Visualization -- 2.4.1 Background on Graphs -- 2.4.2 Visualization of Graphs -- 2.5 Sensing Model and Graph Computation -- 2.6 Analysis of Individual Influence -- 2.7 Final Remarks -- References -- 3 Dancing Robots: The Control Theory of Communication Through Movement -- 3.1 Dance and Motion Primitives -- 3.2 The Rudiments of Knot Theory -- 3.3 Salsa: Energy, Complexity, and Perceived Artistic Merit -- 3.4 Deconstructing the Dances into Four-Step Phrases -- 3.5 The Topological Knot Theory of Intertwined Arms -- 3.6 Complexity Merit of an Intermediate Level Salsa Performance -- 3.7 Conclusion -- References -- 4 So You Think You Can Dance? Rhythmic Flight Performances with Quadrocopters -- 4.1 Rhythmic Flight with Quadrocopters -- 4.1.1 Vision of a Quadrocopter Dance Performance -- 4.1.2 Artistic Motivation -- 4.1.3 The Interplay of Dance and Technology -- 4.1.4 First Steps Toward a Rhythmic Flight Performance -- 4.2 Quadrocopter Dynamics: How do Quadrocopters Move? -- 4.2.1 Dynamics Model of the Quadrocopter -- 4.2.2 Vehicle Constraints -- 4.2.3 Implications for a Rhythmic Flight Performance.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 4.3 Motion Design: What is a Dance Step for a Quadrocopter? -- 4.3.1 Music Analysis -- 4.3.2 Periodic Motions -- 4.4 Motion Feasibility: What are the Physical Limits of a Quadrocopter? -- 4.4.1 Motor Thrust Limits -- 4.4.2 Example: Side-to-Side Motion -- 4.5 Quadrocopter Control: How do Quadrocopters Execute Their Movements? -- 4.5.1 Trajectory-Following Controller -- 4.5.2 Tracking Performance of Periodic Motions -- 4.6 Motion Synchronization: Can a Quadrocopter Move in the Rhythm of the Music? -- 4.6.1 Synchronization: The Basic Idea -- 4.6.2 Synchronization in Three Dimensions -- 4.7 Rhythmic Performances -- 4.7.1 Experimental Testbed -- 4.7.2 Implementation and Robustness -- 4.7.3 Choreographies -- 4.8 Conclusions and Outlook -- References -- 5 Robotic Puppets and the Engineering of Autonomous Theater -- 5.1 Puppets Manipulated by Machines Manipulated by Engineers -- 5.2 Puppets: Esthetic and Mechanical Considerations -- 5.3 Typical Approach -- 5.3.1 Dynamics -- 5.3.2 Nonlinear Optimal Control -- 5.3.3 Choreography and Hybrid Optimal Control -- 5.4 Discrete Time with Scalability -- 5.5 Examples -- 5.5.1 Desired Motion: Simulated Trajectory -- 5.5.2 Desired Motion: Motion Capture Data -- 5.6 Conclusions -- References -- 6 The Artistic Geometry of Consensus Protocols -- 6.1 The Role of Geometric Patterns in the History of Art -- 6.2 A Brief of Consensus Protocols -- 6.3 Motivating Example -- 6.4 Extension to N Agents in the Plane -- 6.5 Periodic and Quasi-Periodic Trajectories -- 6.6 Orbit Pattern Generation -- 6.6.1 A Family of Achievable Paths -- 6.6.2 Illustrative Example: Three Agents -- 6.7 A Gallery of Orbits -- 6.8 Extensions to Pattern Generation on Curved Surfaces -- 6.9 Discussion: The Mathematics of Aesthetics -- 6.10 Conclusions -- References -- 7 Generating Music from Flocking Dynamics -- 7.1 Order, Disorder, Flocks, and Music.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 7.2 A Minimal Flocking Algorithm -- 7.3 Software Tools -- 7.4 From Emergent Dynamics to Emerging Sounds -- 7.4.1 The Direct Approach -- 7.4.2 The Coupled Oscillators Approach -- 7.4.3 The Physical Friction Approach -- 7.5 From Emergent Dynamics to Emerging Music -- 7.6 Music and Complex Systems -- References -- 8 Algorithms for Visual Tracking of Visitors Under Variable-Lighting Conditions for a Responsive Audio Art Installation -- 8.1 Installation Concept and Visitor Experience -- 8.1.1 Technical Overview -- 8.1.2 Related Work -- 8.1.3 Notation -- 8.1.4 Assumptions -- 8.1.5 Problem Statement -- 8.2 Probabilistic Foreground Segmentation -- 8.2.1 Quantization -- 8.2.2 Histogram Initialization -- 8.2.3 Bayesian Inference -- 8.2.4 Filtering and Connected Components -- 8.2.5 Updating the Histogram -- 8.3 Multiple Visitor Tracking -- 8.3.1 Gale-Shapley Matching -- 8.3.2 Heuristic Confidence Model -- 8.4 Results -- 8.5 Conclusions -- 8.5.1 Reviews -- 8.6 Acknowledgements -- References -- 9 Style-Based Robotic Motion in Contemporary Dance Performance -- 9.1 The Robot as an Onstage Character -- 9.2 A Description of Movement Style -- 9.3 Interpreting Human Motion for Robotics -- 9.4 Generating Stylized Motion -- 9.4.1 A Quantitative Movement Model -- 9.4.2 Movement Sequencing -- 9.4.3 Movement Modulation -- 9.5 Rule-Based Movement Generation -- 9.6 What did the Audience See?: A Human Study -- 9.7 Conclusions -- References -- Author Index -- Subject Index.
520 ## - SUMMARY, ETC.
Summary, etc This first-of-its-kind anthology assembles technical research that makes possible such creations as dancing humanoids, robotic art installations, and music generated by mathematically precise methods. Includes open problems and topics for future research.
588 ## -
-- Description based on publisher supplied metadata and other sources.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Automatic control -- Congresses.;Digital control systems -- Congresses.;Automation -- Congresses.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Egerstedt, Magnus.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Print version:
Main entry heading Laviers, Amy
Title Controls and Art : Inquiries at the Intersection of the Subjective and the Objective
Place, publisher, and date of publication Cham : Springer,c2014
International Standard Book Number 9783319039039
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=1698134">https://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=1698134</a>
Link text Click here to view this ebook.
901 ## - LOCAL DATA ELEMENT A, LDA (RLIN)
Platform EBC
901 ## - LOCAL DATA ELEMENT A, LDA (RLIN)
Platform EBL
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Electronic Book
Source of classification or shelving scheme
Holdings
Withdrawn status Lost item Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Shelving location Date acquired Full call number Barcode Date last seen Uniform Resource Identifier Price effective from Koha item type
          UT Tyler Online UT Tyler Online Online 2020-01-08 TA1-2040 EBC1698134 2020-01-08 https://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=1698134 2020-01-08 Electronic Book