British Musical Modernism : (Record no. 891808)

001 - CONTROL NUMBER
control field EBL2055991
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
additional material characteristics m d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr -n---------
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 150719s2015||||||| s|||||||||||eng|d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781316331545
Terms of availability 125 (NL)
035 ## - SYSTEM CONTROL NUMBER
System control number (AU-PeEL)2055991
040 ## - CATALOGING SOURCE
Original cataloging agency AU-PeEL
Language of cataloging eng
Transcribing agency AU-PeEL
Modifying agency AU-PeEL
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML286.8.M27
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 780.9427/3309045
090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (OCLC)
Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) ML286.8.M27
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Rupprecht, Philip.
245 10 - TITLE STATEMENT
Title British Musical Modernism :
Remainder of title The Manchester Group and their Contemporaries
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc Cambridge :
Name of publisher, distributor, etc Cambridge University Press,
Date of publication, distribution, etc 2015.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (508 p.)
490 0# - SERIES STATEMENT
Series statement eBooks on Demand
490 1# - SERIES STATEMENT
Series statement Music Since 1900
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover; Halftitle; Series information; Title page; Copyright information; Dedication; Table of contents; List of figures; Acknowledgments; Introduction; 1Between nationalism and the avant-garde: defining British modernism; Time lags; Technique as social disgrace: Lutyens´s Wittgenstein Motet; Some versions of modern; Being British: national tradition as performance and pedagogy; The return of the folk: Birtwistle´s Down by the Greenwood Side; 2 Post-war motifs; Cold-War internationalism and the British; Abstraction: the meaning of a style
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note ``To Scottish ears´´: the Edinburgh premiere of Hamilton´s Sinfonia (1959)Self and other: from stereotype to ``group self-contempt´´; The state as patron: BBC music culture; 3 Manchester avant-garde: Goehr, Davies, and Birtwistle to 1960; Alexander Goehr: the question of technique; Peter Maxwell Davies: internationalism and thematic rhetoric; International serialism: Five Pieces for Piano, Op. 2; Thematic process from Alma Redemptoris Mater to Prolation; Film form: Goehr, The Deluge; Harrison Birtwistle: form and drama; Form and pattern in Refrains and Choruses
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 1958-1959: serialism as fashion and problemIncantation: Monody for Corpus Christi; 4 A Manchester generation in Paris, London, and Rome:Musgrave, Maw, Crosse, and Bennett; Thea Musgrave: poetic and serial patterning in Triptych (1959); Avant-garde and beyond: Nicholas Maw´s Scenes and Arias (1962); Operatic rhetoric; Voices and arias; Orchestral scenes; Lyricism and rigor: Gordon Crosse; In the serial workshop: Elegy, Op. 1; Concertante: being Gordon Crosse; Richard Rodney Bennett: respectability and the avant-garde; 5 Group portrait in the Sixties:Davies, Birtwistle, and Goehr to 1967
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Davies at Cirencester, 1961-62Lyric subjectivity in the Leopardi Fragments; National polyphony: First Fantasia on an In Nomine of John Taverner; Between serialism and tonality: Goehr´s Little Symphony; Variation, transformation, distortion; Modal serialism: bloc sonore technique; Sliding past: Birtwistle´s rhythmic repetitions; Ostinato and change: Tragoedia (1965), Prologue and Parodos; Ostinato as action: Tragoedia, Stasimon - Episodion - Exodos; Davies, Revelation and Fall (1966): a fierce complexity; 6 Instrumental drama: Musgrave and Birtwistle in the late Sixties
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note On the scene: musical performance as theater, circa 1960Dramatic-abstract form: Musgrave´s Chamber Concerto No. 2 (1966); Action as social ritual: Birtwistle´s Verses for Ensembles (1968); Agency as presentation of self: an everyday perspective from Goffman; 7 Vernaculars: Bedford and Souster as pop musicians; Lapsing into triviality: Malcolm Arnold and Peter Maxwell Davies; The uninhibited David Bedford; Soft machines: simplicity and structure in Two Choruses (1963); Astronomic sublime: from The Tentacles of the Dark Nebula (1969) to Twelve Hours of Sunset (1973)
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note The eclectic Tim Souster: between elektronische Musik and pop
520 ## - SUMMARY, ETC.
Summary, etc The first in-depth historical analysis of British art music post-1945. A group-portrait of eleven composers ranging from avant-garde to pop.
588 ## -
-- Description based upon print version of record.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Composers--England--Manchester--20th century.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element MUSIC / General.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music--England--Manchester--20th century--History and criticism.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music--Great Britain--20th century--History and criticism.
650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element New Music Manchester.
655 #0 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Print version:
Main entry heading Rupprecht, Philip
Title British Musical Modernism : The Manchester Group and their Contemporaries
Place, publisher, and date of publication Cambridge : Cambridge University Press,c2015
International Standard Book Number 9780521844482
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Music Since 1900
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="http://uttyler.eblib.com/patron/FullRecord.aspx?p=2055991">http://uttyler.eblib.com/patron/FullRecord.aspx?p=2055991</a>
Link text Click here to view this ebook.
901 ## - LOCAL DATA ELEMENT A, LDA (RLIN)
Platform EBL
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Electronic Book
Source of classification or shelving scheme
Holdings
Withdrawn status Lost item Source of classification or shelving scheme Damaged status Not for loan Permanent Location Current Location Shelving location Date acquired Full call number Barcode Date last seen Uniform Resource Identifier Price effective from Koha item type
          UT Tyler Online UT Tyler Online Online 2015-07-20 ML286.8.M27 EBL2055991 2015-07-20 http://uttyler.eblib.com/patron/FullRecord.aspx?p=2055991 2015-07-20 Electronic Book