| 001 - CONTROL NUMBER |
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| control field |
EBL2055991 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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| additional material characteristics |
m d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| fixed length control field |
cr -n--------- |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
150719s2015||||||| s|||||||||||eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781316331545 |
| Terms of availability |
125 (NL) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(AU-PeEL)2055991 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
AU-PeEL |
| Language of cataloging |
eng |
| Transcribing agency |
AU-PeEL |
| Modifying agency |
AU-PeEL |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML286.8.M27 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
780.9427/3309045 |
| 090 ## - LOCALLY ASSIGNED LC-TYPE CALL NUMBER (OCLC); LOCAL CALL NUMBER (OCLC) |
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| Classification number (OCLC) (R) ; Classification number, CALL (RLIN) (NR) |
ML286.8.M27 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Rupprecht, Philip. |
| 245 10 - TITLE STATEMENT |
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| Title |
British Musical Modernism : |
| Remainder of title |
The Manchester Group and their Contemporaries |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
Cambridge : |
| Name of publisher, distributor, etc |
Cambridge University Press, |
| Date of publication, distribution, etc |
2015. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (508 p.) |
| 490 0# - SERIES STATEMENT |
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| Series statement |
eBooks on Demand |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Music Since 1900 |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Cover; Halftitle; Series information; Title page; Copyright information; Dedication; Table of contents; List of figures; Acknowledgments; Introduction; 1Between nationalism and the avant-garde: defining British modernism; Time lags; Technique as social disgrace: Lutyens´s Wittgenstein Motet; Some versions of modern; Being British: national tradition as performance and pedagogy; The return of the folk: Birtwistle´s Down by the Greenwood Side; 2 Post-war motifs; Cold-War internationalism and the British; Abstraction: the meaning of a style |
| 505 8# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
``To Scottish ears´´: the Edinburgh premiere of Hamilton´s Sinfonia (1959)Self and other: from stereotype to ``group self-contempt´´; The state as patron: BBC music culture; 3 Manchester avant-garde: Goehr, Davies, and Birtwistle to 1960; Alexander Goehr: the question of technique; Peter Maxwell Davies: internationalism and thematic rhetoric; International serialism: Five Pieces for Piano, Op. 2; Thematic process from Alma Redemptoris Mater to Prolation; Film form: Goehr, The Deluge; Harrison Birtwistle: form and drama; Form and pattern in Refrains and Choruses |
| 505 8# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
1958-1959: serialism as fashion and problemIncantation: Monody for Corpus Christi; 4 A Manchester generation in Paris, London, and Rome:Musgrave, Maw, Crosse, and Bennett; Thea Musgrave: poetic and serial patterning in Triptych (1959); Avant-garde and beyond: Nicholas Maw´s Scenes and Arias (1962); Operatic rhetoric; Voices and arias; Orchestral scenes; Lyricism and rigor: Gordon Crosse; In the serial workshop: Elegy, Op. 1; Concertante: being Gordon Crosse; Richard Rodney Bennett: respectability and the avant-garde; 5 Group portrait in the Sixties:Davies, Birtwistle, and Goehr to 1967 |
| 505 8# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Davies at Cirencester, 1961-62Lyric subjectivity in the Leopardi Fragments; National polyphony: First Fantasia on an In Nomine of John Taverner; Between serialism and tonality: Goehr´s Little Symphony; Variation, transformation, distortion; Modal serialism: bloc sonore technique; Sliding past: Birtwistle´s rhythmic repetitions; Ostinato and change: Tragoedia (1965), Prologue and Parodos; Ostinato as action: Tragoedia, Stasimon - Episodion - Exodos; Davies, Revelation and Fall (1966): a fierce complexity; 6 Instrumental drama: Musgrave and Birtwistle in the late Sixties |
| 505 8# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
On the scene: musical performance as theater, circa 1960Dramatic-abstract form: Musgrave´s Chamber Concerto No. 2 (1966); Action as social ritual: Birtwistle´s Verses for Ensembles (1968); Agency as presentation of self: an everyday perspective from Goffman; 7 Vernaculars: Bedford and Souster as pop musicians; Lapsing into triviality: Malcolm Arnold and Peter Maxwell Davies; The uninhibited David Bedford; Soft machines: simplicity and structure in Two Choruses (1963); Astronomic sublime: from The Tentacles of the Dark Nebula (1969) to Twelve Hours of Sunset (1973) |
| 505 8# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The eclectic Tim Souster: between elektronische Musik and pop |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
The first in-depth historical analysis of British art music post-1945. A group-portrait of eleven composers ranging from avant-garde to pop. |
| 588 ## - |
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| -- |
Description based upon print version of record. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Composers--England--Manchester--20th century. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
MUSIC / General. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Music--England--Manchester--20th century--History and criticism. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Music--Great Britain--20th century--History and criticism. |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
New Music Manchester. |
| 655 #0 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
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| Display text |
Print version: |
| Main entry heading |
Rupprecht, Philip |
| Title |
British Musical Modernism : The Manchester Group and their Contemporaries |
| Place, publisher, and date of publication |
Cambridge : Cambridge University Press,c2015 |
| International Standard Book Number |
9780521844482 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
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| Uniform title |
Music Since 1900 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="http://uttyler.eblib.com/patron/FullRecord.aspx?p=2055991">http://uttyler.eblib.com/patron/FullRecord.aspx?p=2055991</a> |
| Link text |
Click here to view this ebook. |
| 901 ## - LOCAL DATA ELEMENT A, LDA (RLIN) |
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| Platform |
EBL |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Electronic Book |
| Source of classification or shelving scheme |
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