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Anna Christie [sound recording] / by Eugene O'Neill.

By: O'Neill, Eugene, 1888-1953.
Contributor(s): Brown, Dwier | Chasse, Maurice | Elliott, Alison, 1969- | Keach, Stacy | Lowell, Scott | Mills, Alley | Simonson, Eric | L.A. Theatre Works.
Material type: SoundSoundSeries: Audio theatre series: Publisher: [Venice, CA] : L.A. Theatre Works, p2000Description: 2 sound discs (104 min.) : digital ; 4 3/4 in.ISBN: 1580811744; 9781580811743.Subject(s): Waterfronts -- Drama | Seafaring life -- Drama | Prostitutes -- Drama | Barges -- DramaDDC classification: 812.5
Production Credits: Produced by L.A. Theatre Works ; directed by Eric Simonson.
Cast: Dwier Brown, Maurice Chasse, Alison Elliott, Stacy Keach, Scott Lowell, Alley Mills.Summary: A disillusioned ex-prostitute returns to her father, a barge captain in New York City. She falls in love with a young seaman, and, in choosing to reveal her past to him, gambles that his love for her will remain true.
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CD or CD-ROM University of Texas At Tyler
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PS3529.N5 A5 2000 (Browse shelf) Available 0000001490549
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PS3525 .I5156 A7 1998 All my sons PS3525.I5156 V54 1998 A view from the bridge PS3527.A6365 R3 The rainmaker PS3529.N5 A5 2000 Anna Christie PS3545.O98 C299 2001 The Caine mutiny court-martial PS3552.U4 Z58 2006 Bukowski PS3555.D4845 W58 2001 Wit

Compact discs.

Dwier Brown, Maurice Chasse, Alison Elliott, Stacy Keach, Scott Lowell, Alley Mills.

Produced by L.A. Theatre Works ; directed by Eric Simonson.

A disillusioned ex-prostitute returns to her father, a barge captain in New York City. She falls in love with a young seaman, and, in choosing to reveal her past to him, gambles that his love for her will remain true.

Reviews provided by Syndetics

Library Journal Review

This play by Nobel laureate O'Neill centers around Anna, a young woman who, after an illness, decides to spend some time with the father she knows only from occasional letters. While with him, a coal barge captain, she meets Matt, a sailor who's ready to settle down, and the two fall in love. Believing herself unworthy of happiness, Anna reveals secrets from her past that test both her father's and Matt's love. In this expert production, scenes are painted through dialog and the unobtrusive use of sound effects. The actors reveal vivid and distinct characters, and the listener never has to wonder who's speaking. Highly recommended to libraries that serve students and those who love theater.--Adrienne Furness, Lockport P.L., NY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Author notes provided by Syndetics

Eugene O'Neill was born in New York City on October 16, 1888, the son of popular actors James O'Neill and Ellen Quinlan. As a young child, he frequently went on tour with his father and later attended a Catholic boarding school and a private preparatory school. He entered Princeton University but stayed for only a year. He took a variety of jobs, including prospecting for gold, shipping out as a merchant sailor, joining his father on the stage, and writing for newspapers. In 1912, he was hospitalized for tuberculosis and emotional exhaustion. While recovering, he read a great deal of dramatic literature and, after his release from the sanitarium, began writing plays. <p> O'Neill got his theatrical start with a group known as the Provincetown Players, a company of actors, writers, and other theatrical newcomers, many of whom went on to achieve commercial and critical success. His first plays were one-act works for this group, works that combined realism with experimental forms. <p> O'Neill's first commercial successes, Beyond the Horizon (1920) and Anna Christie (1921) were traditional realistic plays. Anna Christie is still frequently performed. It is the story of a young woman, Anna, whose hard life has led her to become a prostitute. Anna comes to live with her long-lost father, who is unaware of her past, and she falls in love with a sailor, who is also unaware. When Anna finds the two men fighting over her as though she were property, she is so angry and disgusted that she insists on telling them the truth. The man she loves rejects her at first, but then later returns to marry her. <p> Soon O'Neill began to experiment more, and over the next 12 years used a wide variety of unusual techniques, settings, and dramatic devices. It is no exaggeration to say that, virtually on his own, O'Neill created a tradition of serious American theater. His influence on the playwrights who followed him has been enormous, and much of what is taken today for granted in modern American theater originated with O'Neill. A major legacy has been the nine plays he wrote between 1924 and 1931, tragedies that made heavy use of the new Freudian psychology just coming into fashion. His one comedy, Ah, Wilderness (1933), was the basis for the musical comedy, Oklahoma!, itself a groundbreaking event in American theater. <p> O'Neill later began to write the intense, brooding, and highly autobiographical plays that are now considered to his best work. The Iceman Cometh (1946) is set in a bar in Manhattan's Bowery, or skid-row district. In the course of the play, a group of apparently happy men are forced to recognize the true emptiness of their lives. In A Long Day's Journey into Night (1956), O'Neill examines his own family and their tormented lives, a subject he continues in A Moon for the Misbegotten (1957). <p> O'Neill's work was highly honored. He was awarded the Nobel Prize for literature in 1936 and Pulitzer Prizes for Anna Christie, Beyond the Horizon, Strange Interlude (1928), and A Long Day's Journey Into Night, which also received the New York Drama Critics Circle Award. <p> O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. He was also born in a hotel room in Times Square, NYC. <p> (Bowker Author Biography)

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