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Homegrown : Engaged Cultural Criticism.

By: hooks, bell.
Contributor(s): Mesa-Bains, Amalia.
Material type: TextTextSeries: eBooks on Demand.Publisher: Milton : Routledge, 2017Copyright date: ©2018Edition: 1st ed.Description: 1 online resource (159 pages).Content type: text Media type: computer Carrier type: online resourceISBN: 9781351757447.Subject(s): African Americans--Social conditionsGenre/Form: Electronic books.Additional physical formats: Print version:: Homegrown : Engaged Cultural CriticismDDC classification: 305.896073 Online resources: Click here to view this ebook.
Contents:
Cover -- Title -- Copyright -- Dedication -- Contents -- preface to the new edition -- preface -- 1. family -- 2. feminist iconography -- 3. resistance pedagogies -- 4. public culture -- 5. multiculturalism -- 6. home -- 7. memory -- 8. altars -- 9. day of the dead -- afterword -- afterword to the new edition.
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Item type Current location Call number URL Status Date due Barcode
Electronic Book UT Tyler Online
Online
E185.86.H736 2018 (Browse shelf) https://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=5046706 Available EBC5046706

Cover -- Title -- Copyright -- Dedication -- Contents -- preface to the new edition -- preface -- 1. family -- 2. feminist iconography -- 3. resistance pedagogies -- 4. public culture -- 5. multiculturalism -- 6. home -- 7. memory -- 8. altars -- 9. day of the dead -- afterword -- afterword to the new edition.

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Author notes provided by Syndetics

<p>A cultural critic, an intellectual, and a feminist writer, bell hooks is best known for classic books including Feminist Theory , Bone Black , All About Love , Rock My Soul , Belonging , We Real Cool , Where We Stand , Teaching to Transgress , Teaching Community, Outlaw Culture, and Reel to Real . hooks is Distinguished Professor in Residence in Appalachian Studies at Berea College, and resides in her home state of Kentucky.</p> <p> Amalia Mesa-Bains is an artist and cultural critic. Her artworks, primarily interpretations of traditional Chicano altars, resonate both in contemporary formal terms and in their ties to her Chicano community and history. She has pioneered the documentation and interpretation of Chicano traditions in Mexican-American art and is a leader in the field of community arts. Among her many awards is the distinguished MacArthur Fellowship. She is Professor Emerita in the Visual and Public Art department at California State University at Monterey Bay.</p> <p> </p>

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