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Strange Footing : Poetic Form and Dance in the Late Middle Ages.

By: Chaganti, Seeta.
Material type: TextTextSeries: eBooks on Demand.Publisher: Chicago : University of Chicago Press, 2018Copyright date: ©2018Description: 1 online resource (318 pages).Content type: text Media type: computer Carrier type: online resourceISBN: 9780226548180.Subject(s): Poetry, Medieval-History and criticism | Literature and danceGenre/Form: Electronic books.Additional physical formats: Print version:: Strange Footing : Poetic Form and Dance in the Late Middle AgesDDC classification: 809.1/02 LOC classification: PN1161Online resources: Click here to view this ebook.
Contents:
Intro -- Contents -- List of Illustrations -- Introduction -- Part One -- 1. "Vanysshed Was This Daunce": Reenactment, Experience, Virtuality -- 2. Bonaventure and a Strumpet: A Theory of Medieval Poetic Form -- Part Two -- 3. "A Certain Slant of Light": Reenacting Danse macabre as Dance -- 4. "Dredful Fotyng": Reenacting Danse macabre's Poetic Form -- Part Three -- 5. The Carole's Virtual Circles -- 6. Dance on the Surface, Dance in the Depths: Reenacting Form in the Middle English Carol -- Conclusion: Dance in the Margins, Dance in the Center -- Acknowledgments -- Index.
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Item type Current location Call number URL Status Date due Barcode
Electronic Book UT Tyler Online
Online
PN1161 (Browse shelf) https://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=5108929 Available EBC5108929

Intro -- Contents -- List of Illustrations -- Introduction -- Part One -- 1. "Vanysshed Was This Daunce": Reenactment, Experience, Virtuality -- 2. Bonaventure and a Strumpet: A Theory of Medieval Poetic Form -- Part Two -- 3. "A Certain Slant of Light": Reenacting Danse macabre as Dance -- 4. "Dredful Fotyng": Reenacting Danse macabre's Poetic Form -- Part Three -- 5. The Carole's Virtual Circles -- 6. Dance on the Surface, Dance in the Depths: Reenacting Form in the Middle English Carol -- Conclusion: Dance in the Margins, Dance in the Center -- Acknowledgments -- Index.

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