The portrait's subject : inventing inner life in the nineteenth-century United States / Sarah Blackwood.

By: Blackwood, Sarah [author.]Material type: TextTextSeries: JSTOR eBooksStudies in United States culture: Publisher: Chapel Hill : University of North Carolina Press, [2019]Description: 1 online resourceContent type: text Media type: computer Carrier type: online resourceISBN: 9781469652610; 1469652617Subject(s): Portraits, American | Identity (Psychology) in art | Identity (Psychology) in literature | Psychology and artGenre/Form: Electronic books.Additional physical formats: Print version:: Portrait's subject.DDC classification: 704.9/42 LOC classification: N7593 | .B57 2019Online resources: Click here to view this ebook.
Contents:
In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation.
Summary: "Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"-- Provided by publisher.
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N7593 .B57 2019 (Browse shelf) https://ezproxy.uttyler.edu/login?url=https://www.jstor.org/stable/10.5149/9781469652610_blackwood Available on1124854573
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N7587.P6M55 2009 The Berkeley Plato : N7592 1947 The state portrait N7593 American Faces : N7593 .B57 2019 The portrait's subject : N7593.S28 2016 American Faces : N7598.S33 2016 The Face of Britain : N7598.S33 2016 The Face of Britain :

Includes bibliographical references and index.

In the portrait gallery of American literature -- Face: Hepzibah's scowl -- Head: writing the African American portrait -- Limbs: postbellum portraiture and the mind-body problem -- Mind/brain: the physiognomy of consciousness -- Bones: the x-ray and the inert body -- Selfie nation.

"Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. ... images of human surfaces became understood as expressions of human depth during this era. Combining visual theory, literary close reading, and in-depth archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Considering painting, photography, illustration, and other visual forms alongside literary and cultural representations of portrait making and viewing, Blackwood argues that portraiture was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology"-- Provided by publisher.

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