Big ears : listening for gender in jazz studies / edited by Nichole Rustin and Sherrie Tucker.

Contributor(s): Rustin, Nichole T | Tucker, Sherrie, 1957-Material type: TextTextSeries: JSTOR eBooksRefiguring American music: Publisher: Durham : Duke University Press, 2008Description: 1 online resource (x, 460 pages) : illustrationsContent type: text Media type: computer Carrier type: online resourceISBN: 9780822389224; 0822389223Subject(s): Jazz -- History and criticism | Jazz -- Social aspects | MUSIC -- Genres & Styles -- Jazz | Jazz | Jazz -- Social aspects | Jazz | Geschlechterforschung | Sekseverschillen | Jazz | Vrouwen | MUSIC / Genres & Styles / JazzGenre/Form: Electronic books. | Criticism, interpretation, etc.Additional physical formats: Print version:: Big ears.DDC classification: 781.65082 LOC classification: ML3506 | .B53 2008Other classification: 24.65 Online resources: Click here to view this ebook.
Contents:
PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / João H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee.
Action note: digitized 2010 committed to preserveSummary: Collection of essays on the role of gender in jazz studies.
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Electronic Book UT Tyler Online
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ML3506 .B53 2008 (Browse shelf) https://ezproxy.uttyler.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctv1134ftp Available ocn320536070

Includes bibliographical references and index.

PART I. Rooting Gender in Jazz History. SEPARATED AT "BIRTH": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. "THE BATTLE OF THE SAXES": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. "BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. "BUT THIS MUSIC IS MINE ALREADY!": "WHITE WOMAN" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. "BETTER A JAZZ ALBUM THAN LIPSTICK" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / João H. Costa Vargas. "IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. "BLOW, MAN, BLOW!": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee.

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Collection of essays on the role of gender in jazz studies.

English.

Reviews provided by Syndetics

CHOICE Review

Fifty years ago, many people (women as well as men) had trouble getting used to women in jazz. And to some degree this prejudice still exists. These essays explore many issues of gender in jazz, covering a wide range from a variety of viewpoints, illuminating the past and looking at the present and possible future of jazz. Although 13 of the 15 contributors are women, the editors rightly point out that considering gender issues in jazz is not women's work. The essays include an excellent appraisal of pianist Lil Hardin Armstrong's work with Louis Armstrong's legendary Hot Five in the 1920s and a discussion of a recent tribute to that group by Wynton Marsalis, who failed to mention a woman at the piano. The contributors dig in the subject through discussions of records, concerts, film, and fiction, with forays into issues of masculinity, female "hysteria," and race. The primary focus is the US, with occasional explorations of international jazz. The academic style limits the readership to serious students of jazz (and readers in other disciplines). These essays should have a real impact on an area of jazz studies that deserves more attention. Summing Up: Highly recommended. Upper-division undergraduates through faculty. C. M. Weisenberg formerly, University of California, Los Angeles

Author notes provided by Syndetics

Nichole T. Rustin is completing a book titled Jazz Men: Race, Masculine Difference, and the Emotions in 1950s America .

Sherrie Tucker is Associate Professor of American Studies at the University of Kansas. She is the author of Swing Shift: "All-Girl" Bands of the 1940s , also published by Duke University Press.

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