How a revolutionary art became official culture : murals, museums, and the Mexican state / Mary K. Coffey.Material type: TextSeries: JSTOR eBooksPublisher: Durham : Duke University Press, 2012Description: 1 online resource (xiv, 234 pages) : illustrations (some color), mapsContent type: text Media type: computer Carrier type: online resourceISBN: 9780822394273; 0822394278; 1280119527; 9781280119521Subject(s): Mural painting and decoration, Mexican -- 20th century | Mural painting and decoration -- Political aspects -- Mexico | Art and revolutions -- Mexico | ART -- Graffiti & Street Art | Art and revolutions | Mural painting and decoration, Mexican | Mural painting and decoration -- Political aspects | Mexico | ART / History / Modern (late 19th Century to 1945) | 1900-1999Genre/Form: Electronic books.Additional physical formats: Print version:: How a revolutionary art became official culture.DDC classification: 751.7/309720904 LOC classification: ND2644 | .C64 2012Online resources: Click here to view this ebook.
|Item type||Current location||Call number||URL||Status||Date due||Barcode|
|Electronic Book||UT Tyler Online Online||ND2644 .C64 2012 (Browse shelf)||https://ezproxy.uttyler.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctv11314w1||Available||ocn774917925|
Includes bibliographical references and index.
A palace for the people -- A patriotic sanctuary -- The womb of the patria.
Print version record.
This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums-the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.
Author notes provided by Syndetics
Mary K. Coffey is Associate Professor of Art History at Dartmouth College.