Photography after photography : gender, genre, and history / Abigail Solomon-Godeau ; edited by Sarah ParsonsMaterial type: TextSeries: JSTOR eBooksPublisher: Durham : Duke University Press, 2017Copyright date: ©2017Description: 1 online resource (xxv, 255 pages) : illustrationsContent type: text Media type: computer Carrier type: online resourceISBN: 9780822373629; 0822373629Subject(s): Photography, Artistic | Photography -- Philosophy | Feminism and art | COMPUTERS -- Digital Media -- Photography | PHOTOGRAPHY -- Reference | TECHNOLOGY & ENGINEERING -- Imaging Systems | Feminism and art | Photography, Artistic | Photography -- Philosophy | PHOTOGRAPHY / CriticismGenre/Form: Electronic books.Additional physical formats: Print version:: Photography after photography.DDC classification: 770 LOC classification: TR642 | .S64 2017Online resources: Click here to view this ebook.
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|Electronic Book||UT Tyler Online Online||TR642 .S64 2017 (Browse shelf)||https://ezproxy.uttyler.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctv11cw0v3||Available||ocn957339706|
In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography
Includes bibliographical references and index
Inside/out (1995) -- Written on the body (1997) -- The family of man : refurbishing humanism for a postmodern age (2004) -- Torture at Abu Ghraib : in and out of the media (2007) -- Harry Callahan : gender, genre, and street photography (2007) -- Caught looking : Susan Meiselas's Carnival strippers (2008) -- Framing landscape photography (2010) -- The ghosts of documentary (2012) -- Inventing Vivian Maier : categories, careers, and commerce (2013) -- Robert Mapplethorpe : whitewashed and polished (2014) -- Body double (2014) -- The coming of age : Cindy Sherman, feminism, and art history (2014)
Description based on print version record