Musical Modernism and German Cinema from 1913 To 1933.

By: Finocchiaro, FrancescoMaterial type: TextTextSeries: eBooks on DemandPublisher: Cham : Palgrave Macmillan US, 2018Copyright date: ©2017Description: 1 online resource (272 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9783319582627Subject(s): Motion pictures and music | Motion pictures-Germany-History-20th centuryGenre/Form: Electronic books.Additional physical formats: Print version:: Musical Modernism and German Cinema from 1913 To 1933DDC classification: 791.4309430901 LOC classification: HM621-HM656Online resources: Click here to view this ebook.
Contents:
Intro -- Acknowledgements -- Contents -- List of Figures -- List of Music Examples -- List of Movies -- Chapter 1 Introduction: The Cinematic Paradigm -- References -- Chapter 2 Prologue: Cinema and the Arts -- 1 Vienna 1913: The Dawn of the Autorenfilm -- 2 Literary Cinema -- 3 "The Big Authors Go to the Movies" -- 4 Film-Related Transforming Dramas -- References -- Chapter 3 Cinema and Expressionist Drama -- 1 Arnold Schönberg and Cinema: Phase One -- 2 Alban Berg: The Draft for Nacht (Nokturn) -- References -- Chapter 4 Paul Hindemith and the Cinematic Universe -- 1 The Encounter with Arnold Fanck -- 2 Im Kampf mit dem Berge: "Eine Alpensymphonie in Bildern" -- References -- Chapter 5 Edmund Meisel: The Cinematic Composer -- 1 Between Compilation and Composition -- 2 Toward a Reform of Film Music -- 3 Potemkin: A Sound Film Ante Litteram -- References -- Chapter 6 Der Rosenkavalier: A Problematic Remediation -- 1 Problems of Dramaturgy -- 2 From "Dresden 1911" to "Dresden 1926" -- 3 Richard Strauss and the Film Music -- References -- Chapter 7 Cinema and Musical Theatre: Kurt Weill and the Filmmusik in Royal Palace -- 1 The Aging of Opera -- 2 Kurt Weill: Music in Epic Theatre -- 3 The Filmmusik in Royal Palace -- References -- Chapter 8 Alban Berg, Lulu, and Cinema as Artifice -- 1 The Lulu Film Interlude -- 2 The Symmetry Principle -- 3 The Scenario -- 4 The Music-Image Relationship -- 5 Cinema as Artifice -- References -- Chapter 9 New Objectivity and Abstract Cinema -- 1 New Ways -- 2 The Idea of Absolute Cinema -- 3 Music in Absolute Cinema: Lichtspiel Opus 1 -- 4 Music and Cinema in Baden-Baden -- 5 "Film und Musik" 1927 -- 6 "Experimentalvorführung Film und Musik" 1928 -- 7 "Tonfilme" 1929 -- References -- Chapter 10 Between Film Music and Chamber Music -- 1 "Kammermusik oder Filmmusik"?.
2 Arnold Schönberg and Cinema: Phase Two -- 3 The Begleitungsmusik op. 34 -- 4 Franz Schreker: The Vier kleine Stücke -- 5 The Musik-Film of Josef Matthias Hauer -- References -- Chapter 11 Epilogue: The Dawn of Sound Cinema -- 1 The Talking Man -- 2 Alienated Sound Film -- 3 Kurt Weill, Hanns Eisler, and Musical Montage -- 4 Music and Cinema: A Mutual Legacy -- References -- Bibliography -- Index.
Tags from this library: No tags from this library for this title. Log in to add tags.
Item type Current location Call number URL Status Date due Barcode
Electronic Book UT Tyler Online
Online
HM621-HM656 (Browse shelf) https://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=5205530 Available EBC5205530

Intro -- Acknowledgements -- Contents -- List of Figures -- List of Music Examples -- List of Movies -- Chapter 1 Introduction: The Cinematic Paradigm -- References -- Chapter 2 Prologue: Cinema and the Arts -- 1 Vienna 1913: The Dawn of the Autorenfilm -- 2 Literary Cinema -- 3 "The Big Authors Go to the Movies" -- 4 Film-Related Transforming Dramas -- References -- Chapter 3 Cinema and Expressionist Drama -- 1 Arnold Schönberg and Cinema: Phase One -- 2 Alban Berg: The Draft for Nacht (Nokturn) -- References -- Chapter 4 Paul Hindemith and the Cinematic Universe -- 1 The Encounter with Arnold Fanck -- 2 Im Kampf mit dem Berge: "Eine Alpensymphonie in Bildern" -- References -- Chapter 5 Edmund Meisel: The Cinematic Composer -- 1 Between Compilation and Composition -- 2 Toward a Reform of Film Music -- 3 Potemkin: A Sound Film Ante Litteram -- References -- Chapter 6 Der Rosenkavalier: A Problematic Remediation -- 1 Problems of Dramaturgy -- 2 From "Dresden 1911" to "Dresden 1926" -- 3 Richard Strauss and the Film Music -- References -- Chapter 7 Cinema and Musical Theatre: Kurt Weill and the Filmmusik in Royal Palace -- 1 The Aging of Opera -- 2 Kurt Weill: Music in Epic Theatre -- 3 The Filmmusik in Royal Palace -- References -- Chapter 8 Alban Berg, Lulu, and Cinema as Artifice -- 1 The Lulu Film Interlude -- 2 The Symmetry Principle -- 3 The Scenario -- 4 The Music-Image Relationship -- 5 Cinema as Artifice -- References -- Chapter 9 New Objectivity and Abstract Cinema -- 1 New Ways -- 2 The Idea of Absolute Cinema -- 3 Music in Absolute Cinema: Lichtspiel Opus 1 -- 4 Music and Cinema in Baden-Baden -- 5 "Film und Musik" 1927 -- 6 "Experimentalvorführung Film und Musik" 1928 -- 7 "Tonfilme" 1929 -- References -- Chapter 10 Between Film Music and Chamber Music -- 1 "Kammermusik oder Filmmusik"?.

2 Arnold Schönberg and Cinema: Phase Two -- 3 The Begleitungsmusik op. 34 -- 4 Franz Schreker: The Vier kleine Stücke -- 5 The Musik-Film of Josef Matthias Hauer -- References -- Chapter 11 Epilogue: The Dawn of Sound Cinema -- 1 The Talking Man -- 2 Alienated Sound Film -- 3 Kurt Weill, Hanns Eisler, and Musical Montage -- 4 Music and Cinema: A Mutual Legacy -- References -- Bibliography -- Index.

Description based on publisher supplied metadata and other sources.

There are no comments on this title.

to post a comment.