The University of Texas at Tyler Libraries

Finding the Personal Voice in Filmmaking.

By: Knudsen, ErikMaterial type: TextTextSeries: eBooks on DemandPublisher: Cham : Palgrave Macmillan UK, 2018Copyright date: ©2018Description: 1 online resource (134 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9783030003777Subject(s): Independent films-Production and direction-PhilosophyGenre/Form: Electronic books.Additional physical formats: Print version:: Finding the Personal Voice in FilmmakingDDC classification: 791.4301 LOC classification: HM621-HM656Online resources: Click here to view this ebook.
Contents:
Intro -- Contents -- List of Figures -- Chapter 1: Introduction -- Beginnings -- The Personal Voice -- The Evolving Filmmaking Context -- StoryLab International Film Development Research Network18 -- The Chapters -- Bibliography and Filmography -- Chapter 2: Why Create? -- Introduction -- Necessity and Invention -- Feelings and Emotions -- Something -- Moved to Act -- Action and Form -- Beauty and Truth -- Narrative Film Forms -- Bibliography and Filmography -- Chapter 3: What Is Creativity? -- Introduction -- The Creative Act -- Transcending Patterns of Thinking -- Playing -- Cinematic Imagery -- Lumière Brothers: Arrivée d'un Train à Perrache -- Fitzhamon: Rescued by Rover -- Griffith: Birth of a Nation -- Eisenstein: Battleship Potemkin -- Flaherty: Nanook of the North -- Welles: War of the Worlds -- Dali and Buñuel: Un Chien Andalou -- Godard: Breathless -- Ozu: Tokyo Story -- Bresson: Diary of a Country Priest -- Bibliography and Filmography -- Chapter 4: Why Story? -- Introduction -- Life as Story -- Feelings, Emotions and Story -- Classical and Transcendental Narratives -- Prototypical Stories -- Story and Narrative Resonance -- Bibliography and Filmography -- Chapter 5: Transformations -- Introduction -- Mr U -- Ms V -- Mr W -- Denial and Fear -- Summary -- Bibliography and Filmography -- Appendix -- Introduction -- Exercise 1 -- Objective -- Project -- Exercise 2 -- Objective -- Project -- Exercise 3 -- Objective -- Project -- Questions -- Index.
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Item type Current location Call number URL Status Date due Barcode
Electronic Book UT Tyler Online
Online 		HM621-HM656 (Browse shelf) https://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=5541354 Available EBC5541354

Intro -- Contents -- List of Figures -- Chapter 1: Introduction -- Beginnings -- The Personal Voice -- The Evolving Filmmaking Context -- StoryLab International Film Development Research Network18 -- The Chapters -- Bibliography and Filmography -- Chapter 2: Why Create? -- Introduction -- Necessity and Invention -- Feelings and Emotions -- Something -- Moved to Act -- Action and Form -- Beauty and Truth -- Narrative Film Forms -- Bibliography and Filmography -- Chapter 3: What Is Creativity? -- Introduction -- The Creative Act -- Transcending Patterns of Thinking -- Playing -- Cinematic Imagery -- Lumière Brothers: Arrivée d'un Train à Perrache -- Fitzhamon: Rescued by Rover -- Griffith: Birth of a Nation -- Eisenstein: Battleship Potemkin -- Flaherty: Nanook of the North -- Welles: War of the Worlds -- Dali and Buñuel: Un Chien Andalou -- Godard: Breathless -- Ozu: Tokyo Story -- Bresson: Diary of a Country Priest -- Bibliography and Filmography -- Chapter 4: Why Story? -- Introduction -- Life as Story -- Feelings, Emotions and Story -- Classical and Transcendental Narratives -- Prototypical Stories -- Story and Narrative Resonance -- Bibliography and Filmography -- Chapter 5: Transformations -- Introduction -- Mr U -- Ms V -- Mr W -- Denial and Fear -- Summary -- Bibliography and Filmography -- Appendix -- Introduction -- Exercise 1 -- Objective -- Project -- Exercise 2 -- Objective -- Project -- Exercise 3 -- Objective -- Project -- Questions -- Index.

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