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The selfish giant / Oscar Wilde ; [illustrated by] Lisbeth Zwerger.

By: Wilde, Oscar, 1854-1900.
Contributor(s): Zwerger, Lisbeth [ill] | Picture book studio USA [pbl].
Material type: TextTextPublisher: [Natick, MA] : Picture Book Studio USA, c1984Description: [24] p. : col. ill. ; 29 cm.ISBN: 0907234305; 9780907234302.Subject(s): Giants -- Juvenile fiction | Selfishness -- Juvenile fiction | Boys -- Juvenile fiction | Winter -- Juvenile fiction | Magic -- Juvenile fiction | Gardens -- Juvenile fiction | Kindness -- Juvenile fiction | Fairy tales | Children's stories in English, 1837-1900 - TextsDDC classification: [E] LOC classification: PZ8.W647 | Se 1986Summary: A once selfish giant welcomes the children to his previously forbidden garden and is eventually rewarded by an unusual tiny child.
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Item type Current location Call number Status Date due Barcode
CML Easy Fiction University of Texas At Tyler
CML Easy Fiction Area
W672SE (Browse shelf) Available 0000000554378

"Distributed by Alphabet Press"--col.

A once selfish giant welcomes the children to his previously forbidden garden and is eventually rewarded by an unusual tiny child.

Reviews provided by Syndetics

School Library Journal Review

Gr 2-6 Although the illustrations for this version of Wilde's classic parable are not as visually affecting as Lisbeth Zwerger's delicate watercolors (Picture Book Studio, 1984), children will be drawn to the color and humor of Mansell's drawings. Mansell (like Zwerger) leaves Wilde's enchanting text intact. Mansell's portrayal of the crochety giant is non-frightening and full of humorous detail. Young children might find the last part of the story frightening, and the crucifixion wounds might require an explanation that would be uncomfortable to some adults. This is a beautifully written tale, however, and Mansell's illustrations are not at all fearsomeeven the full-page illustration of the dead giant is gentle, and the stigmata might be missed by an untrained eye. With these cautionary notes, this version as well as Zwerger's complement Wilde's powerful, moving tale, although Zwerger's is still a first choice. Barbara McGinn, Oak Hill Elementary School, Severna Park, Md. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Author notes provided by Syndetics

Flamboyant man-about-town, Oscar Wilde had a reputation that preceded him, especially in his early career. He was born to a middle-class Irish family (his father was a surgeon) and was trained as a scholarship boy at Trinity College, Dublin. He subsequently won a scholarship to Magdalen College, Oxford, where he was heavily influenced by John Ruskin and Walter Pater, whose aestheticism was taken to its radical extreme in Wilde's work. By 1879 he was already known as a wit and a dandy; soon after, in fact, he was satirized in Gilbert and Sullivan's Patience. <p> Largely on the strength of his public persona, Wilde undertook a lecture tour to the United States in 1882, where he saw his play Vera open---unsuccessfully---in New York. His first published volume, Poems, which met with some degree of approbation, appeared at this time. In 1884 he married Constance Lloyd, the daughter of an Irish lawyer, and within two years they had two sons. During this period he wrote, among others, The Picture of Dorian Gray (1891), his only novel, which scandalized many readers and was widely denounced as immoral. Wilde simultaneously dismissed and encouraged such criticism with his statement in the preface, "There is no such thing as a moral or an immoral book. Books are well written or badly written. That is all." <p> In 1891 Wilde published A House of Pomegranates, a collection of fantasy tales, and in 1892 gained commercial and critical success with his play, Lady Windermere's Fan He followed this comedy with A Woman of No Importance (1893), An Ideal Husband (1895), and his most famous play, The Importance of Being Earnest (1895). During this period he also wrote Salome, in French, but was unable to obtain a license for it in England. Performed in Paris in 1896, the play was translated and published in England in 1894 by Lord Alfred Douglas and was illustrated by Aubrey Beardsley. <p> Lord Alfred was the son of the Marquess of Queensbury, who objected to his son's spending so much time with Wilde because of Wilde's flamboyant behavior and homosexual relationships. In 1895, after being publicly insulted by the marquess, Wilde brought an unsuccessful slander suit against the peer. The result of his inability to prove slander was his own trial on charges of sodomy, of which he was found guilty and sentenced to two years of hard labor. During his time in prison, he wrote a scathing rebuke to Lord Alfred, published in 1905 as De Profundis. In it he argues that his conduct was a result of his standing "in symbolic relations to the art and culture" of his time. After his release, Wilde left England for Paris, where he wrote what may be his most famous poem, The Ballad of Reading Gaol (1898), drawn from his prison experiences. Among his other notable writing is The Soul of Man under Socialism (1891), which argues for individualism and freedom of artistic expression. <p> There has been a revived interest in Wilde's work; among the best recent volumes are Richard Ellmann's, Oscar Wilde and Regenia Gagnier's Idylls of the Marketplace , two works that vary widely in their critical assumptions and approach to Wilde but that offer rich insights into his complex character. <p> (Bowker Author Biography)

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