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Modern American drama: essays in criticism, edited by William E. Taylor.

By: Taylor, William Edwards.
Material type: TextTextPublisher: DeLand, Fla., Everett/Edwards [1968]Edition: [1st ed.].Description: 200 pages 25 cm.Content type: text Media type: unmediated Carrier type: volumeSubject(s): O'Neill, Eugene, 1888-1953 | Odets, Clifford, 1906-1963 | Anderson, Maxwell, 1888-1959 -- Criticism and interpretation | Miller, Arthur, 1915-2005 | Albee, Edward, 1928- | Williams, Tennessee, 1911-1983 | MacLeish, Archibald, 1892-1982 | Baldwin, James, 1924-1987 -- Criticism and interpretation | McCullers, Carson, 1917-1967 -- Criticism and interpretation | Barnes, Djuna -- Criticism and interpretation | Eberhart, Richard, 1904-2005 | Bellow, Saul -- Criticism and interpretation | American drama -- 20th century -- History and criticismAdditional physical formats: Online version:: Modern American drama: essays in criticism.DDC classification: 812/.5/09 Other classification: HU 1770 Also issued online.
Contents:
Eugene O'Neill: the long quest, by J.L. Halio.--Six characters in search of an author and Desire under the elms: what O'Neill did not learn from Europe, by W.E. Taylor.--Clifford Odets: from influence to affluence, by R.B. Shuman.--Maxwell Anderson: traditionalist in a theatre of change, by W.E. Taylor.--Comedy of manners 1927-1939, by W. Embler.--Through a glass menagerie darkly: the world of Tennessee Williams, by S. Kahn.--Arthur Miller: Aristotelian canons in the twentieth century drama, by A.A. Stambusky.--Three verse playwrights and the American fifties, by D. Gerstenberger.--What happens in Who's afraid ...? By M. Halperen.--The novelist as playwright: Baldwin, McCullers, and Bellow, by L. Phillips.--Off-Broadway and the new realism, by B.F. Dukore.--Bibliographical notes (p. 175-186).
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Book University of Texas At Tyler
Stacks - 3rd Floor
PS351 .T3 (Browse shelf) Available 0000100613702

Eugene O'Neill: the long quest, by J.L. Halio.--Six characters in search of an author and Desire under the elms: what O'Neill did not learn from Europe, by W.E. Taylor.--Clifford Odets: from influence to affluence, by R.B. Shuman.--Maxwell Anderson: traditionalist in a theatre of change, by W.E. Taylor.--Comedy of manners 1927-1939, by W. Embler.--Through a glass menagerie darkly: the world of Tennessee Williams, by S. Kahn.--Arthur Miller: Aristotelian canons in the twentieth century drama, by A.A. Stambusky.--Three verse playwrights and the American fifties, by D. Gerstenberger.--What happens in Who's afraid ...? By M. Halperen.--The novelist as playwright: Baldwin, McCullers, and Bellow, by L. Phillips.--Off-Broadway and the new realism, by B.F. Dukore.--Bibliographical notes (p. 175-186).

Also issued online.

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