A Seamless Web : Transatlantic Art in the Nineteenth Century

By: May, Cheryll LContributor(s): Wardle, MarianMaterial type: TextTextSeries: eBooks on DemandPublisher: Newcastle upon Tyne : Cambridge Scholars Publishing, 2014Description: 1 online resource (212 p.)ISBN: 9781443857475Subject(s): Art -- History | Art, Modern -- 19th century | Art, Modern -- 20th centuryGenre/Form: Electronic books.Additional physical formats: Print version:: A Seamless Web : Transatlantic Art in the Nineteenth CenturyDDC classification: 709.034 LOC classification: N6450 .M384 2014Online resources: Click here to view this ebook.
Contents:
CONTENTS; LIST OF FIGURES; PREFACE AND ACKNOWLEDGMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; PART II; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CONTRIBUTORS; INDEX
Summary: In recent years, American art scholars have increasingly focused on the importance of cross-cultural exchanges during the nineteenth century. As essayist François Brunet puts it, mid-nineteenth century landscapes were ""transnational . . . permeated by complex transactions where 'American' originality produced itself not only in imitation of or reaction against 'European' influences, . . . but as critical mirroring and incorporating of 'European' images."" Articles in this collection make clear...
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Item type Current location Call number URL Status Date due Barcode
Electronic Book UT Tyler Online
Online
N6450 .M384 2014 (Browse shelf) http://uttyler.eblib.com/patron/FullRecord.aspx?p=1656449 Available EBL1656449

CONTENTS; LIST OF FIGURES; PREFACE AND ACKNOWLEDGMENTS; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; PART II; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CONTRIBUTORS; INDEX

In recent years, American art scholars have increasingly focused on the importance of cross-cultural exchanges during the nineteenth century. As essayist François Brunet puts it, mid-nineteenth century landscapes were ""transnational . . . permeated by complex transactions where 'American' originality produced itself not only in imitation of or reaction against 'European' influences, . . . but as critical mirroring and incorporating of 'European' images."" Articles in this collection make clear...

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