Theatre History Studies 2009, Vol. 29.

By: Theatre History Studies, Robert BContributor(s): Justice-Malloy, Rhona | Essin, Christin | Roark, Carolyn D | Lowe, Meredith | Hohman, Valleri J | Geary II, Fonzie D | Shimko, Robert B | Osborne, Elizabeth | Cornwell, Paul | Elam Jr., Harry J | Cavenaugh, Jennifer Jones | Martinez, Marc | Bromfield, Joseph C | Allan, Cynthia L | Beck, Anne | Bial, Henry | Buckner, Jocelyn L | Causey, Matthew | Clark, Larry D | Conti, Meredith | Downey, Patricia K | Dutt, Hephzibah D | Eisen, Kurt | Elam, Harry J | Geary, Fonzie D | Irelan, Scott R | Johnson, Odai | Leiter, Cary R | Londré, Felicia Hardison | Seguro, Maria Isabel | Willcoxon, Jeanne | Woodward, Kirk | Ybarra, PatriciaMaterial type: TextTextSeries: eBooks on DemandTheatre History Studies: Publisher: Tuscaloosa : University of Alabama Press, 2011Description: 1 online resource (269 p.)ISBN: 9780817382988Subject(s): Theater -- History -- Periodicals | Theater -- History | ToneelGenre/Form: Electronic books.Additional physical formats: Print version:: Theatre History Studies 2009, Vol. 29DDC classification: 792.09 LOC classification: PN2000 .T49Online resources: Click here to view this ebook.
Contents:
Contents; List of Illustrations; An Uncommon Woman: An Interview with Wendy Wasserstein; Thresholds of Pain in Performance: Tormentingt he Actor and Audience; Designing American Modernity: David Belasco's The Governor's Lady and Robert Edmond Jones's The Man Who Married a Dumb Wife; A Historiography of Informed Imagination: A (Hi)Story Drawn fromthe Correspondence of Annie Russell and Faith Baldwin; The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage; The Final Straw: Producing James Purdy at the Trinity Square Rep
Disappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project"Can't Someone Find Him a Stimulant?" The Treatment of Prohibitionon the American Stage, 1920-1933; The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes; Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935; Book Reviews; Robert A. Schanke, ed., Angels in the American Theater: Patrons, Patronage, and Philanthropy
Barbara Ozieblo and Jerry Dickey, Susan Glaspell and Sophie TreadwellDavid Krasner, ed., Theatre in Theory, 1900-2000: An Anthology; Hazel Waters, Racism on the Victorian Stage: Representations of Slavery and the Black Character; Romeo Castellucci, Joe Kelleher, Nicholas Ridout, Claudia Castellucci, and Chiara Guidi, The Theatre of Socìetas Raffaello Sanzio; Tice L. Miller, Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries; Paige Reynolds, Modernism, Drama, and the Audience for Irish Spectacle
Rhonda Garelick, Electric Salome: Loie Fuller's Performance of ModernismPaul Fortunato, Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde; Zander Brietzke, American Drama in the Age of Film; William W. Demastes and Iris Smith Fischer, eds., Interrogating America through Theatre and Performance; John Patrick Diggins, Eugene O'Neill's America: Desire under Democracy; Harriet Hyman Alonso, Robert E. Sherwood: The Playwright in Peace and War; Jason Shaffer, Performing Patriotism: National Identity inthe Colonial and Revolutionary American Theatre; Benjamin Harshav
Benjamin Harshav and Barbara Harshav, trans.,The Moscow Yiddish Theater: Art on Stage in the Time of RevolutionLaurence Senelick, Historical Dictionary of Russian Theater; Esther Kim Lee, A History of Asian American Theatre; Judith Curtis, "Divine Thalie": The Career of Jeanne Quinault; Philip C. Kolin, ed., Contemporary African American Women Playwrights; Books Received; Contributors
Summary: Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The purpose of MATC is to unite people and organizations in their region with an interest in theatre and to promote the growth and development of all forms of theatre.
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Contents; List of Illustrations; An Uncommon Woman: An Interview with Wendy Wasserstein; Thresholds of Pain in Performance: Tormentingt he Actor and Audience; Designing American Modernity: David Belasco's The Governor's Lady and Robert Edmond Jones's The Man Who Married a Dumb Wife; A Historiography of Informed Imagination: A (Hi)Story Drawn fromthe Correspondence of Annie Russell and Faith Baldwin; The Miseries of History: Shakespearian Extremity as Cautionary Tale on the Restoration Stage; The Final Straw: Producing James Purdy at the Trinity Square Rep

Disappearing Frontiers and the National Stage: Placing the Portland Federal Theatre Project"Can't Someone Find Him a Stimulant?" The Treatment of Prohibitionon the American Stage, 1920-1933; The Tricks of Lun: Mimesis and Mimicry in John Rich's Performance and Conception of Pantomimes; Sensational with the Greeks and Daring with Shakespeare but Not So Sure about Shaw: Performance of George Bernard Shaw at Terence Gray's Festival Theatre, Cambridge, England, 1926-1935; Book Reviews; Robert A. Schanke, ed., Angels in the American Theater: Patrons, Patronage, and Philanthropy

Barbara Ozieblo and Jerry Dickey, Susan Glaspell and Sophie TreadwellDavid Krasner, ed., Theatre in Theory, 1900-2000: An Anthology; Hazel Waters, Racism on the Victorian Stage: Representations of Slavery and the Black Character; Romeo Castellucci, Joe Kelleher, Nicholas Ridout, Claudia Castellucci, and Chiara Guidi, The Theatre of Socìetas Raffaello Sanzio; Tice L. Miller, Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries; Paige Reynolds, Modernism, Drama, and the Audience for Irish Spectacle

Rhonda Garelick, Electric Salome: Loie Fuller's Performance of ModernismPaul Fortunato, Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde; Zander Brietzke, American Drama in the Age of Film; William W. Demastes and Iris Smith Fischer, eds., Interrogating America through Theatre and Performance; John Patrick Diggins, Eugene O'Neill's America: Desire under Democracy; Harriet Hyman Alonso, Robert E. Sherwood: The Playwright in Peace and War; Jason Shaffer, Performing Patriotism: National Identity inthe Colonial and Revolutionary American Theatre; Benjamin Harshav

Benjamin Harshav and Barbara Harshav, trans.,The Moscow Yiddish Theater: Art on Stage in the Time of RevolutionLaurence Senelick, Historical Dictionary of Russian Theater; Esther Kim Lee, A History of Asian American Theatre; Judith Curtis, "Divine Thalie": The Career of Jeanne Quinault; Philip C. Kolin, ed., Contemporary African American Women Playwrights; Books Received; Contributors

Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The purpose of MATC is to unite people and organizations in their region with an interest in theatre and to promote the growth and development of all forms of theatre.

Description based upon print version of record.

Author notes provided by Syndetics

Rhona Justice-Malloy is Chair of and a Professor in the Department of Theatre Arts at the University of Mississippi.

Contributors: Joseph Bromfield / Jackson R. Bryer / Jennifer Jones Cavenaugh / Larry D. Clark / Paul Cornwell / Christin Essin / Valleri J. Hohman / Marc Martinez / Elizabeth Osborne / Carolyn D. Roark / Robert Shimko

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