Avant-Garde, Internationalism, and Politics : Argentine Art in the Sixties
By: Giunta, Andrea.
Contributor(s): Mignolo, Walter D | Silverblatt, Irene | Saldívar-Hull, Sonia | Kahn, Peter.Material type: TextSeries: eBooks on Demand.Latin America Otherwise: Publisher: Durham : Duke University Press, 2007Description: 1 online resource (445 p.).ISBN: 9780822389699.Genre/Form: Electronic books.Additional physical formats: Print version:: Avant-Garde, Internationalism, and Politics : Argentine Art in the SixtiesDDC classification: 709/.820904 LOC classification: N6635N6635.G5713 2007Online resources: Click here to view this ebook.
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|Electronic Book||UT Tyler Online Online||N6635 | N6635.G5713 2007 (Browse shelf)||http://uttyler.eblib.com/patron/FullRecord.aspx?p=1169850||Available||EBL1169850|
CONTENTS; CHAPTER 7. THE AVANT-GARDE BETWEEN ART AND POLITICS; List of Illustrations; About the Series; Preface and Acknowledgments; Translator's Note; Abbreviations; Introduction; CHAPTER 1. MODERN ART ON THE MARGINS OF PERONISM; Postwar Chronicle; The North American Invasion; Abstract ArtistsBetween Communists and Liberals; The Platforms for the Displaced; The Official Policy Toward Art; The French Invasion; Controversies on Abstract Art; Between Peronism and Abstract Art: Coming to Terms; Ver y Estimar on the Ramparts of Modern Art
CHAPTER 2. Proclamations and ProgramsDuring the Revolución LibertadoraThe Embassies of Art; A Revitalized Museum; A New Museum for the New Art; Boa, Phases, and the International Front of the Avant-Garde; Conflicting Internationalisms; The Exploration of Materials; CHAPTER 3. THE "NEW" ART SCENE; Journal of a Collector; Coming Out in Society; The First International Exhibition; The 150th Anniversary Celebrations; A Plan for Success; CHAPTER 4. THE AVANT-GARDE AS PROBLEM; The Material Limits; The Art of "Things"; An Aesthetic of Violence; Argentines in Paris; Avant-Garde and Narration
The Total Art ObjectCHAPTER 5. THE DECENTERING OF THE MODERNIST PARADIGM; Suspending Judgment and Embracing Novelty; Other Genealogies for Modern Art; An All-Consuming Aesthetic; CHAPTER 6. STRATEGIES OF INTERNATIONALIZATION; The American Family; International Awards for National Recognition; The Circulating MoMA Exhibitions; 1964: The Year of Recognition; Biennial and Anti-Biennial; The Culmination of Internationalism; The Aporias of Internationalism; The Artist as Intellectual; A "Plastic" Crime; The Politics of Assemblage; The Avant-Garde Between the Two Boundaries
Art as a Collective and Violent ActionConclusions; Notes; Bibliography; Index
An exploration of the impact of the 1960s and the U.S. post-cold war moment on the reception of Latin American art and artists.
Description based upon print version of record.