Normal view MARC view ISBD view

Making Something Happen : American Political Poetry between the World Wars

By: Thurston, Michael.
Material type: TextTextSeries: eBooks on Demand.Publisher: Chapel Hill : The University of North Carolina Press, 2001Description: 1 online resource (282 p.).ISBN: 9780807875001.Subject(s): American poetry - 20th century - History and criticism | American poetry | Political poetry, American - History and criticism | Politics and literature - United States - History - 20th century | World War, 1914-1918 - Influence | World War, 1939-1945 - CausesGenre/Form: Electronic books.Additional physical formats: Print version:: Making Something Happen : American Political Poetry between the World WarsDDC classification: 811.5209 | 811/.5209358 Online resources: Click here to view this ebook.
Contents:
Contents; Illustrations; Acknowledgments; Introduction; 1.Tradition and the Political Poet; 2.All Together, Black and White; 3.Getting the Goofs to Listen; 4.Extending the Document; Conclusion; Notes; Works Cited; Index
Summary: "Poetry makes nothing happen," wrote W. H. Auden in 1939, expressing a belief that came to dominate American literary institutions in the late 1940s--the idea that good poetry cannot, and should not, be politically engaged. By contrast, Michael Thurston here looks back to the 1920s and 1930s to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. He offers an engaging new look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston combines close textual reading of the poems with research into their historical context to reveal how these four poets deployed the resources of tradition and experimentation to contest and redefine political common sense. In the process, he demonstrates that the aesthetic censure under which much partisan writing has labored needs dramatic revision. Although each of these poets worked with different forms and toward different ends, Thurston shows that their strategies succeed as poetry. He argues that partisan poetry demands reflection not only on how we evaluate poems but also on what we value in poems and, therefore, which poems we elevate.
Tags from this library: No tags from this library for this title. Log in to add tags.
No physical items for this record

Contents; Illustrations; Acknowledgments; Introduction; 1.Tradition and the Political Poet; 2.All Together, Black and White; 3.Getting the Goofs to Listen; 4.Extending the Document; Conclusion; Notes; Works Cited; Index

"Poetry makes nothing happen," wrote W. H. Auden in 1939, expressing a belief that came to dominate American literary institutions in the late 1940s--the idea that good poetry cannot, and should not, be politically engaged. By contrast, Michael Thurston here looks back to the 1920s and 1930s to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. He offers an engaging new look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston combines close textual reading of the poems with research into their historical context to reveal how these four poets deployed the resources of tradition and experimentation to contest and redefine political common sense. In the process, he demonstrates that the aesthetic censure under which much partisan writing has labored needs dramatic revision. Although each of these poets worked with different forms and toward different ends, Thurston shows that their strategies succeed as poetry. He argues that partisan poetry demands reflection not only on how we evaluate poems but also on what we value in poems and, therefore, which poems we elevate.

Description based upon print version of record.

There are no comments for this item.

Log in to your account to post a comment.