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Kailyard and Scottish Literature.

By: Nash, Andrew.
Material type: TextTextSeries: eBooks on Demand.SCROLL: Scottish Cultural Review of Language and Literature, 8: Publisher: Amsterdam : Editions Rodopi, 2007Description: 1 online resource (269 p.).ISBN: 9789401204415.Subject(s): Barrie, J. M. -- (James Matthew), -- 1860-1937 -- Criticism and interpretation | Crockett, S. R. -- (Samuel Rutherford), -- 1860-1914 -- Criticism and interpretation | English literature -- 19th century -- History and criticism | English literature -- Scottish authors -- History and criticism | Maclaren, Ian, -- 1850-1907 -- Criticism and interpretation | Popular culture -- ScotlandGenre/Form: Electronic books.Additional physical formats: Print version:: Kailyard and Scottish LiteratureDDC classification: 820.99411 LOC classification: PR8601 .N37 2007Online resources: Click here to view this ebook.
Contents:
Contents; Acknowledgements; Introduction; Chapter One: The Invention of the Term; Chapter Two: Regionalism, Representation and the Art of J.M. Barrie; Chapter Three: S.R. Crockett: Romancing Galloway; Chapter Four: The Sentimental Art of Ian Maclaren; Chapter Five: The Marketing of Kailyard and the Debate over Popular Culture; Chapter Six: The Critical Kailyard; Bibliography; Index
Summary: For more than a century, the word ''Kailyard'' has been a focal point of Scottish literary and cultural debate. Originally a term of literary criticism, it has come to be used, often pejoratively, across a whole range of academic and popular discourse. Historians, politicians and critics of Scottish film and media have joined literary scholars in using the term to set out a diagnosis of Scottish culture. This is the first comprehensive study of the subject. Andrew Nash traces the origins of the Kailyard diagnosis in the nineteenth century and considers the critical concerns that gave rise to it. He then provides a full reassessment of the literature most commonly associated with the term - the fiction of J.M. Barrie, S.R. Crockett and Ian Maclaren. Placing this work in more appropriate contexts, he considers the literary, social and religious imperatives that underpinned it and discusses the impact of these writers in the publishing world. These chapters are succeeded by detailed analysis of the various ways in which the term has been used in wider discussions of Scottish literature and culture. Discussing literary criticism, film studies, and political and sociological analyses of Scotland, Nash shows how Kailyard, as a critical term, helps expose some of the key issues in Scottish cultural debate in the twentieth century, including discussions over national representation, popular culture and the parochialism of Scottish culture.
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Electronic Book UT Tyler Online
Online
PR8601 .N37 2007 (Browse shelf) http://uttyler.eblib.com/patron/FullRecord.aspx?p=556615 Available EBL556615

Contents; Acknowledgements; Introduction; Chapter One: The Invention of the Term; Chapter Two: Regionalism, Representation and the Art of J.M. Barrie; Chapter Three: S.R. Crockett: Romancing Galloway; Chapter Four: The Sentimental Art of Ian Maclaren; Chapter Five: The Marketing of Kailyard and the Debate over Popular Culture; Chapter Six: The Critical Kailyard; Bibliography; Index

For more than a century, the word ''Kailyard'' has been a focal point of Scottish literary and cultural debate. Originally a term of literary criticism, it has come to be used, often pejoratively, across a whole range of academic and popular discourse. Historians, politicians and critics of Scottish film and media have joined literary scholars in using the term to set out a diagnosis of Scottish culture. This is the first comprehensive study of the subject. Andrew Nash traces the origins of the Kailyard diagnosis in the nineteenth century and considers the critical concerns that gave rise to it. He then provides a full reassessment of the literature most commonly associated with the term - the fiction of J.M. Barrie, S.R. Crockett and Ian Maclaren. Placing this work in more appropriate contexts, he considers the literary, social and religious imperatives that underpinned it and discusses the impact of these writers in the publishing world. These chapters are succeeded by detailed analysis of the various ways in which the term has been used in wider discussions of Scottish literature and culture. Discussing literary criticism, film studies, and political and sociological analyses of Scotland, Nash shows how Kailyard, as a critical term, helps expose some of the key issues in Scottish cultural debate in the twentieth century, including discussions over national representation, popular culture and the parochialism of Scottish culture.

Description based upon print version of record.

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