Maoist Model Theatre : The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution (1966-1976)
By: Roberts, Rosemary.Material type: TextSeries: eBooks on Demand.Women and Gender in China Studies: Publisher: Leiden : BRILL, 2009Edition: 1.Description: 1 online resource (312 p.).ISBN: 9789047430889.Subject(s): Communism and sex - China | Communism and sex -- China | Gender identity in the theater - China | Gender identity in the theater -- China | Sex in the theater - China | Sex in the theater | Theater - Political aspects - China - History - 20th century | Theater -- Political aspects -- China -- History -- 20th century | Women and communism - China | Women and communism -- China | Women in the theater - China | Women in the theater -- ChinaGenre/Form: Electronic books.Additional physical formats: Print version:: Maoist Model Theatre : The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution (1966-1976)DDC classification: 792.0951 LOC classification: PN2874. R63 2010Online resources: Click here to view this ebook.
|Item type||Current location||Call number||URL||Status||Date due||Barcode|
|Electronic Book||UT Tyler Online Online||PN2874. R63 2010 (Browse shelf)||http://uttyler.eblib.com/patron/FullRecord.aspx?p=635090||Available||EBL635090|
List of Tables; List of Illustrations; Acknowledgements; List of Abbreviations; Chapter One Introduction: Gender and the Model Works; Chapter Two Role Assignment and Gender: Resetting the Paradigms; Chapter Three Costume in the Yangbanxi: Gendering the Revolutionary Body; Chapter Four Gender and the Kinesics of Yangbanxi Ballet; Chapter Five Feminising Leadership in Song of the Dragon River; Chapter Six The Yangbanxi Heroine and the Historical Tradition of the Chinese Woman Warrior; Chapter Seven Gendering the Counter-Revolution: The Feminisation of Villainy
Chapter Eight The Yangbanxi and Gender Identities in Post-Maoist ChinaBibliography; Yangbanxi Filmography; Index
Drawing on theories ranging from cultural studies to sociology, this book offers a new understanding of gender in Maoist model theatre (yangbanxi) that acknowledges the complex interplay of traditional, modern, Chinese and foreign gender ideologies manifested in the works.
Description based upon print version of record.