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The Earth on Show : Fossils and the Poetics of Popular Science, 1802-1856

By: O''Connor, Ralph.
Material type: TextTextSeries: eBooks on Demand.Publisher: Chicago : University of Chicago Press, 2008Description: 1 online resource (557 p.).ISBN: 9780226616704.Subject(s): Geology | Geology in literature | Literature and history | Literature and science | ScienceGenre/Form: Electronic books.Additional physical formats: Print version:: The Earth on Show : Fossils and the Poetics of Popular Science, 1802-1856DDC classification: 550.941/09034 | 550.94109034 Online resources: Click here to view this ebook.
Contents:
Contents; Acknowledgements; List of Abbreviations; Introduction: Science as Literature; PART I BUILDING THE STORY; 1 Enter the Mammoth; 2 William Buckland: Antiquary and Wizard; 3 Lizards and Literalists; 4 Lyell Steps In; PART II STAGING THE SHOW; 5 Marketing Geology; 6 Polite Science and Narrative Form; 7 Time Travel and Virtual Tourism in the Age of John Martin; 8 Literary Monsters; 9 Scenes and Legends from Deep Time; 10 Hugh Miller and the Geologic Diorama; Epilogue: New Mythologies of the Ancient Earth; Appendix: Currencies, and Sizes of Books; Works Cited; Credits; Index
Summary: At the turn of the nineteenth century, geology-and its claims that the earth had a long and colorful prehuman history-was widely dismissed as dangerous nonsense. But just fifty years later, it was the most celebrated of Victorian sciences. Ralph O'Connor tracks the astonishing growth of geology's prestige in Britain, exploring how a new geohistory far more alluring than the standard six days of Creation was assembled and sold to the wider Bible-reading public.Shrewd science-writers, O'Connor shows, marketed spectacular visions of past worlds, piquing the public imagination with glimpses of man-eating mammoths, talking dinosaurs, and sea-dragons spawned by Satan himself. These authors-including men of science, women, clergymen, biblical literalists, hack writers, blackmailers, and prophets-borrowed freely from the Bible, modern poetry, and the urban entertainment industry, creating new forms of literature in order to transport their readers into a vanished and alien past.In exploring the use of poetry and spectacle in the promotion of popular science, O'Connor proves that geology's success owed much to the literary techniques of its authors. An innovative blend of the history of science, literary criticism, book history, and visual culture, The Earth on Show rethinks the relationship between science and literature in the nineteenth century.
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Item type Current location Call number URL Status Date due Barcode
Electronic Book UT Tyler Online
Online
QE13 | QE13.G7O35 2007 (Browse shelf) http://uttyler.eblib.com/patron/FullRecord.aspx?p=408512 Available EBL408512

Contents; Acknowledgements; List of Abbreviations; Introduction: Science as Literature; PART I BUILDING THE STORY; 1 Enter the Mammoth; 2 William Buckland: Antiquary and Wizard; 3 Lizards and Literalists; 4 Lyell Steps In; PART II STAGING THE SHOW; 5 Marketing Geology; 6 Polite Science and Narrative Form; 7 Time Travel and Virtual Tourism in the Age of John Martin; 8 Literary Monsters; 9 Scenes and Legends from Deep Time; 10 Hugh Miller and the Geologic Diorama; Epilogue: New Mythologies of the Ancient Earth; Appendix: Currencies, and Sizes of Books; Works Cited; Credits; Index

At the turn of the nineteenth century, geology-and its claims that the earth had a long and colorful prehuman history-was widely dismissed as dangerous nonsense. But just fifty years later, it was the most celebrated of Victorian sciences. Ralph O'Connor tracks the astonishing growth of geology's prestige in Britain, exploring how a new geohistory far more alluring than the standard six days of Creation was assembled and sold to the wider Bible-reading public.Shrewd science-writers, O'Connor shows, marketed spectacular visions of past worlds, piquing the public imagination with glimpses of man-eating mammoths, talking dinosaurs, and sea-dragons spawned by Satan himself. These authors-including men of science, women, clergymen, biblical literalists, hack writers, blackmailers, and prophets-borrowed freely from the Bible, modern poetry, and the urban entertainment industry, creating new forms of literature in order to transport their readers into a vanished and alien past.In exploring the use of poetry and spectacle in the promotion of popular science, O'Connor proves that geology's success owed much to the literary techniques of its authors. An innovative blend of the history of science, literary criticism, book history, and visual culture, The Earth on Show rethinks the relationship between science and literature in the nineteenth century.

Description based upon print version of record.

Author notes provided by Syndetics

Ralph O'Connor is professor in the literature and culture of Britain, Ireland, and Iceland at the University of Aberdeen.

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