Normal view MARC view ISBD view

Byron: poetical works; edited by Frederick Page.

By: Byron, George Gordon Byron, Baron, 1788-1824.
Contributor(s): Page, Frederick, 1879-1962 [ed.].
Material type: TextTextSeries: Oxford paperbacks, 200.Publisher: London, New York, Oxford U.P., 1970Edition: 3rd ed.; corrected by John Jump.Description: x, 925 p. 21 cm.ISBN: 0192810685; 9780192810687.Subject(s): English poetry -- 19th centuryAdditional physical formats: Online version:: Byron: poetical works.DDC classification: 821/.7 Other classification: HL 2261 Summary: A legend in his lifetime, Lord Byron was the dominant influence on the Romantic movement. The text of this edition, which contains nearly all of Byron's published poems together with the poet's own Notes, was first published in The Oxford Poets in 1896, and has been reprinted numerous times. Fredrick Page's text has been revised by John Jump, who has made a number of substantive corrections, and added to Don Juan the fragment of a seventeenth canto that was previously unavailable.
Tags from this library: No tags from this library for this title. Log in to add tags.
Item type Current location Call number Status Date due Barcode
Book University of Texas At Tyler
Stacks - 3rd Floor
PR4351 .P3 1970 (Browse shelf) Available 0000000019141

A legend in his lifetime, Lord Byron was the dominant influence on the Romantic movement. The text of this edition, which contains nearly all of Byron's published poems together with the poet's own Notes, was first published in The Oxford Poets in 1896, and has been reprinted numerous times. Fredrick Page's text has been revised by John Jump, who has made a number of substantive corrections, and added to Don Juan the fragment of a seventeenth canto that was previously unavailable.

Author notes provided by Syndetics

English poet and dramatist George Gordon, Lord Byron was born January 22, 1788, in London. The boy was sent to school in Aberdeen, Scotland, until the age of ten, then to Harrow, and eventually to Cambridge, where he remained form 1805 to 1808. A congenital lameness rankled in the spirit of a high-spirited Byron. As a result, he tried to excel in every thing he did. <p> It was during his Cambridge days that Byron's first poems were published, the Hours of Idleness (1807). The poems were criticized unfavorably. Soon after Byron took the grand tour of the Continent and returned to tell of it in the first two cantos of Childe Harold (1812). Instantly entertained by the descriptions of Spain, Portugal, Albania, and Greece in the first publication, and later travels in Belgium, Germany, Switzerland, and Italy, the public savored Byron's passionate, saucy, and brilliant writing. Byron published the last of Childe Harold, Canto IV, in 1818. The work created and established Byron's immense popularity, his reputation as a poet and his public persona as a brilliant but moody romantic hero, of which he could never rid himself. <p> Some of Byron's lasting works include The Corsair, Lara, Hebrew Melodies, She Walks In Beauty, and the drama Manfred. In 1819 he published the first canto of Don Juan, destined to become his greatest work. Similar to Childe Harold, this epic recounts the exotic and titillating adventures of a young Byronica hero, giving voice to Byron's social and moral criticisms of the age. Criticized as immoral, Byron defended Don Juan fiercely because it was true-the virtues the reader doesn't see in Don Juan are not there precisely because they are so rarely exhibited in life. Nevertheless, the poem is humorous, rollicking, thoughtful, and entertaining, an enduring masterpiece of English literature. <p> Byron died of fever in Greece in 1824, attempting to finance and lead the Byron Brigade of Greek freedom fighters against the Turks. <p> (Bowker Author Biography)

There are no comments for this item.

Log in to your account to post a comment.