Documentary as Exorcism : Resisting the Bewitchment of Colonial Christianity
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Item type | Current location | Call number | URL | Status | Date due | Barcode |
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Electronic Book | UT Tyler Online Online | PN1995.9.D6 B435 2014 (Browse shelf) | http://uttyler.eblib.com/patron/FullRecord.aspx?p=1589512 | Available | EBL1589512 |
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PN1995.9.D6A53 2016 Documentary Voice & Vision : | PN1995.9.D6 .A58 2014 Hong Kong documentary film / | PN1995.9.D6B394 2016 Documentary Storytelling : | PN1995.9.D6 B435 2014 Documentary as Exorcism : | PN1995.9.D6 B59 2008 French colonial documentary : | PN1995.9.D6 C4345 2015 A New History of British Documentary. | PN1995.9.D6 C4365 2016 Projecting race : |
FC -- Half Title -- Title Page -- Copyright -- Dedication -- Contents -- Introduction: Black steel in the hour of documentary -- CHAPTER ONE. Beyond the ubiquitous black choir -- CHAPTER TWO. Set on, cast out -- CHAPTER THREE. Witchcraft -- CHAPTER FOUR. Exorcism -- CHAPTER FIVE. Bewitchment of empire -- CHAPTER SIX. Memory cannibalism -- CHAPTER SEVEN. Zombie worship -- CHAPTER EIGHT. Signs and wonders -- CHAPTER NINE. Poetic justice -- CHAPTER TEN. Bewitchment in documentary -- CHAPTER ELEVEN. Exorcism in the political documentary -- CHAPTER TWELVE. Exorcism in the Bible documentary
Conclusion: Towards an exorcism aesthetic -- Notes -- Bibliography -- Index
Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking. Robert Beckford marries the concepts of 'theology as visual practice' and 'theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from oppression in its aesthetic. In vari
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