1922 : Literature, Culture, Politics

By: Rabaté, Jean-MichelMaterial type: TextTextSeries: eBooks on DemandPublisher: New York : Cambridge University Press, 2015Description: 1 online resource (298 p.)ISBN: 9781316288207Subject(s): Literature and society -- History -- 20th century | Literature, Modern -- 19th century -- History and criticism | Literature, Modern -- 20th century -- History and criticism | Politics and literature -- History -- 20th centuryGenre/Form: Electronic books.Additional physical formats: Print version:: 1922 : Literature, Culture, PoliticsDDC classification: 809.9112 LOC classification: PN771 .R384 2015Online resources: Click here to view this ebook.
Contents:
Cover; Half-title; Title page; Copyright information; Table of contents; List of contributors; Chronology for 1922; Editor's Introduction; 1922: The Enormous Rooms of Modernism; Why Focus on Europe?; Notes; Works Cited; Chapter 1 Uncanny Semblables and Serendipitous Publications: T.S. Eliot's the Criterion...; The Waste Land and Ulysses; Teaching Reading; Notes; Works Cited; Chapter 2 Rilke's Duino Elegies and Sonnets to Orpheus; Notes; Works Cited; Chapter 3 Odd Encounters: From Marcel Proust's Sodome et Gomorrhe...; Notes; Works Cited; Chapter 4 Castle Logic: Hints in Kafka's Novel; Notes
Works CitedChapter 5 "In or about 1922": Virginia Woolf, Katherine Mansfield, and Modern Fiction; Notes; Works Cited; Chapter 6 Anglophones in Paris: Gertrude Stein and the Aesthetics of Collaboration; Sherwood Anderson and the Parisian Cowboy; Stein's histoire à clef: "Miss Furr and Miss Skeene"; Hemingway, Stein, and the Cultivation of a Voice; Notes; Works Cited; Chapter 7 Circa 1922: Art, Technology, and the Activated Beholder; Notes; Works Cited; Chapter 8 Dada, Futurism, and Raymond Roussel; Notes; Works Cited
Chapter 9 The Beginning and the End: The Formalist Paradigm in Literary StudyNotes; Works Cited; Chapter 10 Hispanic Watershed: 1922 in Latin America; Argentine Ultraísmo: Poetry, Prisma, Proa; Making Noise in Mexico: Estridentismo; Modes of Transport: Girondo's Twenty Poems to be Read on the Streetcar; "Who's Making All That Racket?": César Vallejo's Trilce; Notes; Works Cited; Chapter 11 Restoration Dramas: Hofmannsthal's The Great World Theater...; Notes; Works Cited; Chapter 12 Postwar New Feminisms: May Sinclair and Colette; Works Cited
Chapter 13 Durée et simultanéité and Tractatus Logico-Philosophicus: Time and Logic in 1922Notes; Works Cited; Chapter 14 Marxism in Revolution: Georg Lukács's History and Class Consciousness...; Crossing and Distancing Parallels: Lukács and Korsch in the 1920s; Marxism as Revolutionary Historicism; Consciousness in Revolution; Notes; Works Cited; Chapter 15 Principles of Relativity: Whitehead versus Russell; In Many Ways Still Our Infant Prodigy; Opinions Directly Opposed; If I Were a Solipsist; Notes; Works Cited; Chapter 16 Modernist Political Theologies: Carl Schmitt's...
The Decision on the ExceptionWalter Benjamin's "Critique of Violence"; Notes; Works Cited; Chapter 17 Frazer's The Golden Bough and Malinowski's Argonauts of the Western Pacific: Anthropology in 1922; Notes; Works Cited; Index
Summary: This book examines key aspects of culture and history in 1922, a year made famous by the publication of several modernist masterpieces.
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PN771 .R384 2015 (Browse shelf) http://uttyler.eblib.com/patron/FullRecord.aspx?p=1936667 Available EBL1936667

Cover; Half-title; Title page; Copyright information; Table of contents; List of contributors; Chronology for 1922; Editor's Introduction; 1922: The Enormous Rooms of Modernism; Why Focus on Europe?; Notes; Works Cited; Chapter 1 Uncanny Semblables and Serendipitous Publications: T.S. Eliot's the Criterion...; The Waste Land and Ulysses; Teaching Reading; Notes; Works Cited; Chapter 2 Rilke's Duino Elegies and Sonnets to Orpheus; Notes; Works Cited; Chapter 3 Odd Encounters: From Marcel Proust's Sodome et Gomorrhe...; Notes; Works Cited; Chapter 4 Castle Logic: Hints in Kafka's Novel; Notes

Works CitedChapter 5 "In or about 1922": Virginia Woolf, Katherine Mansfield, and Modern Fiction; Notes; Works Cited; Chapter 6 Anglophones in Paris: Gertrude Stein and the Aesthetics of Collaboration; Sherwood Anderson and the Parisian Cowboy; Stein's histoire à clef: "Miss Furr and Miss Skeene"; Hemingway, Stein, and the Cultivation of a Voice; Notes; Works Cited; Chapter 7 Circa 1922: Art, Technology, and the Activated Beholder; Notes; Works Cited; Chapter 8 Dada, Futurism, and Raymond Roussel; Notes; Works Cited

Chapter 9 The Beginning and the End: The Formalist Paradigm in Literary StudyNotes; Works Cited; Chapter 10 Hispanic Watershed: 1922 in Latin America; Argentine Ultraísmo: Poetry, Prisma, Proa; Making Noise in Mexico: Estridentismo; Modes of Transport: Girondo's Twenty Poems to be Read on the Streetcar; "Who's Making All That Racket?": César Vallejo's Trilce; Notes; Works Cited; Chapter 11 Restoration Dramas: Hofmannsthal's The Great World Theater...; Notes; Works Cited; Chapter 12 Postwar New Feminisms: May Sinclair and Colette; Works Cited

Chapter 13 Durée et simultanéité and Tractatus Logico-Philosophicus: Time and Logic in 1922Notes; Works Cited; Chapter 14 Marxism in Revolution: Georg Lukács's History and Class Consciousness...; Crossing and Distancing Parallels: Lukács and Korsch in the 1920s; Marxism as Revolutionary Historicism; Consciousness in Revolution; Notes; Works Cited; Chapter 15 Principles of Relativity: Whitehead versus Russell; In Many Ways Still Our Infant Prodigy; Opinions Directly Opposed; If I Were a Solipsist; Notes; Works Cited; Chapter 16 Modernist Political Theologies: Carl Schmitt's...

The Decision on the ExceptionWalter Benjamin's "Critique of Violence"; Notes; Works Cited; Chapter 17 Frazer's The Golden Bough and Malinowski's Argonauts of the Western Pacific: Anthropology in 1922; Notes; Works Cited; Index

This book examines key aspects of culture and history in 1922, a year made famous by the publication of several modernist masterpieces.

Description based upon print version of record.

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