Voice and New Writing, 1997-2007 : Articulating the Demos
By: Inchley, Maggie.Material type: TextSeries: eBooks on Demand.Publisher: Basingstoke : Palgrave Macmillan, 2015Description: 1 online resource (213 p.).ISBN: 9781137432339.Subject(s): English drama -- 20th century -- History and criticism | English drama -- 21st century -- History and criticism | Expression in literature | Voice cultureGenre/Form: Electronic books.Additional physical formats: Print version:: Voice and New Writing, 1997-2007 : Articulating the DemosDDC classification: 808.120938745 Online resources: Click here to view this ebook.
|Item type||Current location||Call number||URL||Status||Date due||Barcode|
|Electronic Book||UT Tyler Online Online||PR736 .I384 2015 (Browse shelf)||http://uttyler.eblib.com/patron/FullRecord.aspx?p=2006562||Available||EBL2006562|
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|PR736 .C687 1996eb Women in Dramatic Place and Time :||PR736.G73 2015 Adorno and Modern Theatre :||PR736 .H35 2006 Postmodern Theater and the Void of Conceptions.||PR736 .I384 2015 Voice and New Writing, 1997-2007 :||PR736 .L364 2010 Contemporary British Drama.||PR736.M35 2016 Twentieth-Century Drama Dialogue as Ordinary Talk :||PR736 .M44 2014 Modern British Playwriting :|
Cover; Contents; List of Figures; Acknowledgements; Introduction: Articulating the Demos; 1 New Labour, New Voicescapes, 1997-2007; 2 Giddensian Mediation: Voices in Writing, Representation and Actor Training; 3 Migration and Materialism: David Greig, Gregory Burke and Sounding Scottish in Post-devolutionary Voicescapes; 4 Vocalising Allegiance: Kwame Kwei-Armah, Roy Williams and debbie tucker green; 5 Sending Up Citizenship: Young Voices in Tanika Gupta, Mark Ravenhill and Enda Walsh
6 Women Who Kill Children: Mistrusting Mothers in theWork of Deborah Warner and Fiona Shaw, Beatrix Campbell and Judith Jones, and Dennis KellyConclusion: Betrayal and Beyond; Notes; Bibliography; Index
<p >In New Labour's empathetic regime, how did diverse voices scrutinize its etiquettes of articulation and audibility? Using the voice as cultural evidence, <span style=""font-style:italic;"" >Voice and New Writing</span> explores what it means to 'have' a voice in mainstream theatre and for newly included voices to negotiate with the institutions that 'find' and 'represent' their identities.
Description based upon print version of record.