Emancipating Lincoln : the Proclamation in text, context, and memory / Harold Holzer.Material type: TextSeries: JSTOR eBooksPublisher: Cambridge, Mass. : Harvard University Press, 2012Description: 1 online resource (213 pages,  pages of plates) : illustrationsContent type: text Media type: computer Carrier type: online resourceISBN: 9780674068285; 0674068289; 9780674065208; 0674065204Subject(s): Slaves -- Emancipation -- United StatesAdditional physical formats: Print version:: Emancipating Lincoln.DDC classification: 973.7/14 LOC classification: E453 | .H644 2012Online resources: Click here to view this ebook.
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|Electronic Book||UT Tyler Online Online||E453 .H644 2012 (Browse shelf)||https://ezproxy.uttyler.edu/login?url=http://www.jstor.org/stable/10.2307/j.ctt2jbvf9||Available||ocn794003979|
Includes bibliographical references (pages 175-198) and index.
The bow of promise -- Emancipator versus pettifogger -- Sacred effigies.
Print version record.
Emancipating Lincoln seeks a new approach to the Emancipation Proclamation, a foundational text of American liberty that in recent years has been subject to woeful misinterpretation. These seventeen hundred words are Lincoln's most important piece of writing, responsible both for his being hailed as the Great Emancipator and for his being pilloried by those who consider his once-radical effort at emancipation insufficient and half-hearted. Harold Holzer, an award-winning Lincoln scholar, invites us to examine the impact of Lincoln's momentous announcement at the moment of its creation, and then as its meaning has changed over time. Using neglected original sources, Holzer uncovers Lincoln's very modern manipulation of the media-from his promulgation of disinformation to the ways he variously withheld, leaked, and promoted the Proclamation- in order to make his society-altering announcement palatable to America. Examining his agonizing revisions, we learn why a peerless prose writer executed what he regarded as his 'greatest act' in leaden language. Turning from word to image, we see the complex responses in American sculpture, painting, and illustration across the past century and a half, as artists sought to criticize, lionize, and profit from Lincoln's endeavor. Holzer shows the faults in applying our own standards to Lincoln's efforts, but also demonstrates how Lincoln's obfuscations made it nearly impossible to discern his true motives. As we approach the 150th anniversary of the Proclamation, this concise volume is a vivid depiction of the painfully slow march of all Americans-white and black, leaders and constituents-toward freedom. -- Publisher description.
Reviews provided by Syndetics
Library Journal ReviewThis examination of the process whereby Lincoln drafted and presented the Emancipation Proclamation reveals how his mastery of legal language disguised the radical implications of the text and muted the constitutional and political concerns the document raised. Historian Holzer notes how visual representations of the document countered critical renderings in print. (c) Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Author notes provided by SyndeticsHarold Holzer is one of the leading authorities on Abraham Lincoln and the political culture of the Civil War era. He is a prolific writer and lecturer. He has written, co-written and edited over 30 books including Abraham Lincoln, The Writer (2000), which was named to the Children's Literature Choice List and the Bank Street Best Children's Books of the Year, and Lincoln at Cooper Union: The Speech That Made Abraham Lincoln President (2004), which won a 2005 Lincoln Prize. He has also written over 425 popular magazine and scholarly journal articles and numerous pamphlets and monographs. He has won numerous awards including the Barondess Award of the Civil War Round Table of New York five times; the Award of Achievement from the Lincoln Group of New York three times; a 1988 George Washington Medal; the 2000 Newman Book Award; and the 2008 National Humanities Medal. He is the Senior Vice President for External Affairs at The Metropolitan Museum of Art in New York.
(Bowker Author Biography)