The French symphony at the fin de siècle : style, culture, and the symphonic tradition / Andrew Deruchie.Material type: TextSeries: JSTOR eBooks.Eastman studies in music: v. 100.Publisher: Rochester, NY : Woodbridge, Suffolk : University of Rochester Press ; Boydell & Brewer Limited, 2013Copyright date: ©2013Description: 1 online resource.Content type: text Media type: computer Carrier type: online resourceISBN: 9781580468381; 1580468381; 9781580468930; 1580468934.Subject(s): Composers -- FranceAdditional physical formats: Print version:: French symphony at the fin de siècleDDC classification: 784.18/4 LOC classification: ML1255 | .D47 2013Online resources: Click here to view this ebook.
|Item type||Current location||Call number||URL||Status||Date due||Barcode|
|Electronic Book||UT Tyler Online Online||ML1255 .D47 2013 (Browse shelf)||https://ezproxy.uttyler.edu/login?url=http://www.jstor.org/stable/10.7722/j.ctt4cg6tj||Available||ocn859154652|
Browsing UT Tyler Online Shelves , Shelving location: Online Close shelf browser
|ML1255 -- .R55 2014eb Viennese Minor-Key Symphony in the Age of Haydn and Mozart.||ML1255 .B68 2006 Music as thought :||ML1255 c2002 The characteristic symphony in the age of Haydn and Beethoven /||ML1255 .D47 2013 The French symphony at the fin de siècle :||ML1255 .M44 2014 The Australian Symphony from Federation to 1960.||ML1255 .W555 2002 The characteristic symphony in the age of Haydn and Beethoven /||ML1255 .W56 2002 The Characteristic Symphony in the Age of Haydn and Beethoven.|
Includes bibliographical references and index.
Camille Saint-Saëns, Third symphony -- César Franck, Symphony in D minor -- Édouard Lalo, Symphony in G minor -- Ernest Chausson, Symphony in B-flat major -- Vincent d'Indy, Symphonie sur un chant montagnard français -- Vincent d'Indy, Second symphony -- Paul Dukas, Symphony in C.
Print version record.
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Saëns, César Franck, Édouard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si.