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Women and Portraits in Early Modern Europe : Gender, Agency, Identity

By: Pearson, Andrea.
Contributor(s): Poska, Professor Allyson M | Zanger, Professor Abby.
Material type: TextTextSeries: eBooks on Demand.Women and Gender in the Early Modern World: Publisher: Florence : Taylor and Francis, 2016Description: 1 online resource (245 p.).ISBN: 9781351872270.Subject(s): Women--Europe--Portraits--HistoryGenre/Form: Electronic books.Additional physical formats: Print version:: Women and Portraits in Early Modern Europe : Gender, Agency, IdentityDDC classification: 704.94240939999997 Online resources: Click here to view this ebook.
Contents:
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Notes on Contributors -- Acknowledgements -- Introduction: Portraiture's Selves -- 1 Gender and the Configuration of Early Netherlandish Devotional Skill -- 2 Productions of Meaning in Portraits of Margaret of York -- 3 The Posthumous Image of Mary of Burgundy -- 4 Effaced: Failing Widows -- 5 Daddy's Little Girl: Patrilineal Anxiety in Two Portraits of a Renaissance Daughter -- 6 Engaging Negation in Hans Holbein the Younger's Portrait of Christina of Denmark, Duchess of Milan
7 All the Queen's Women: Female Double Portraits at the Caroline Court -- 8 Troubling Identities and the Agreeable Game of Art: From Madame de Pompadour's Theatrical 'Breeches' of Decorum to Drouais's Portrait of Madame Du Barry En Homme -- 9 Sculpting Her Image: Sarah Siddons and the Art of Self-Fashioning -- Bibliography -- Index
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Item type Current location Call number URL Status Date due Barcode
Electronic Book UT Tyler Online
Online
N7638.E85.W664 2016 (Browse shelf) http://uttyler.eblib.com/patron/FullRecord.aspx?p=4758601 Available EBL4758601

Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Notes on Contributors -- Acknowledgements -- Introduction: Portraiture's Selves -- 1 Gender and the Configuration of Early Netherlandish Devotional Skill -- 2 Productions of Meaning in Portraits of Margaret of York -- 3 The Posthumous Image of Mary of Burgundy -- 4 Effaced: Failing Widows -- 5 Daddy's Little Girl: Patrilineal Anxiety in Two Portraits of a Renaissance Daughter -- 6 Engaging Negation in Hans Holbein the Younger's Portrait of Christina of Denmark, Duchess of Milan

7 All the Queen's Women: Female Double Portraits at the Caroline Court -- 8 Troubling Identities and the Agreeable Game of Art: From Madame de Pompadour's Theatrical 'Breeches' of Decorum to Drouais's Portrait of Madame Du Barry En Homme -- 9 Sculpting Her Image: Sarah Siddons and the Art of Self-Fashioning -- Bibliography -- Index

Description based upon print version of record.

Author notes provided by Syndetics

Andrea Pearson is a specialist in the visual culture of northern Europe from the fourteenth through the sixteenth centuries, she has published on gender and devotional art in Gesta, Renaissance Quarterly, Woman's Art Journal, and the Sixteenth Century Journal.

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