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Queer Movie Medievalisms.

By: Pugh, Tison.
Contributor(s): Kelly, Kathleen Coyne.
Material type: TextTextSeries: eBooks on Demand.Queer Interventions: Publisher: Florence : Taylor and Francis, 2016Description: 1 online resource (266 p.).ISBN: 9781351907132.Subject(s): Homosexuality in motion picturesGenre/Form: Electronic books.Additional physical formats: Print version:: Queer Movie MedievalismsDDC classification: 791.43086640000001 Online resources: Click here to view this ebook.
Contents:
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Notes on Contributors -- Series Editors' Preface -- Acknowledgements -- Introduction: Queer History, Cinematic Medievalism, and the Impossibility of Sexuality -- 1 The Law of the Daughter: Queer Family Politics in Bertrand Tavernier's La Passion Béatrice -- 2 Queering the Lionheart: Richard I in The Lion in Winter on Stage and Screen -- 3 "He's not an ardent suitor, is he, brother?": Richard the Lionheart's Ambiguous Sexuality in Cecil B. DeMille's The Crusades (1935)
4 "In the Company of Orcs": Peter Jackson's Queer Tolkien -- 5 The Eastern Western: Camp as a Response to Cultural Failure in The Conqueror -- 6 "In my own idiom": Social Critique, Campy Gender, and Queer Performance in Monty Python and the Holy Grail -- 7 Performance, Camp, and Queering History in Luc Besson's Jeanne d'Arc -- 8 Sean Connery's Star Persona and the Queer Middle Ages -- 9 Will Rogers' Pink Spot: A Connecticut Yankee (1931) -- 10 Danny Kaye and the "Fairy Tale" of Queerness in The Court Jester -- 11 Mourning and Sexual Difference in Hans-Jürgen Syberberg's Parsifal
12 Superficial Medievalism and the Queer Futures of Film -- Afterword -- Index
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Item type Current location Call number URL Status Date due Barcode
Electronic Book UT Tyler Online
Online
PN1995.9.H55.Q447 2016 (Browse shelf) http://uttyler.eblib.com/patron/FullRecord.aspx?p=4758611 Available EBL4758611

Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Notes on Contributors -- Series Editors' Preface -- Acknowledgements -- Introduction: Queer History, Cinematic Medievalism, and the Impossibility of Sexuality -- 1 The Law of the Daughter: Queer Family Politics in Bertrand Tavernier's La Passion Béatrice -- 2 Queering the Lionheart: Richard I in The Lion in Winter on Stage and Screen -- 3 "He's not an ardent suitor, is he, brother?": Richard the Lionheart's Ambiguous Sexuality in Cecil B. DeMille's The Crusades (1935)

4 "In the Company of Orcs": Peter Jackson's Queer Tolkien -- 5 The Eastern Western: Camp as a Response to Cultural Failure in The Conqueror -- 6 "In my own idiom": Social Critique, Campy Gender, and Queer Performance in Monty Python and the Holy Grail -- 7 Performance, Camp, and Queering History in Luc Besson's Jeanne d'Arc -- 8 Sean Connery's Star Persona and the Queer Middle Ages -- 9 Will Rogers' Pink Spot: A Connecticut Yankee (1931) -- 10 Danny Kaye and the "Fairy Tale" of Queerness in The Court Jester -- 11 Mourning and Sexual Difference in Hans-Jürgen Syberberg's Parsifal

12 Superficial Medievalism and the Queer Futures of Film -- Afterword -- Index

Description based upon print version of record.

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