TY  - BOOK
AU  - Solomon-Godeau,Abigail
AU  - Parsons,Sarah
TI  - Photography after photography: gender, genre, and history 
T2  - JSTOR eBooks
SN  - 9780822373629
AV  - TR642 .S64 2017
U1  - 770 23
PY  - 2017///
CY  - Durham
PB  - Duke University Press
KW  - Photography, Artistic
KW  - Photography
KW  - Philosophy
KW  - Feminism and art
KW  - COMPUTERS
KW  - Digital Media
KW  - bisacsh
KW  - PHOTOGRAPHY
KW  - Reference
KW  - TECHNOLOGY & ENGINEERING
KW  - Imaging Systems
KW  - fast
KW  - PHOTOGRAPHY / Criticism
KW  - Electronic books
N1  - Includes bibliographical references and index; Inside/out (1995) -- Written on the body (1997) -- The family of man : refurbishing humanism for a postmodern age (2004) -- Torture at Abu Ghraib : in and out of the media (2007) -- Harry Callahan : gender, genre, and street photography (2007) -- Caught looking : Susan Meiselas's Carnival strippers (2008) -- Framing landscape photography (2010) -- The ghosts of documentary (2012) -- Inventing Vivian Maier : categories, careers, and commerce (2013) -- Robert Mapplethorpe : whitewashed and polished (2014) -- Body double (2014) -- The coming of age : Cindy Sherman, feminism, and art history (2014)
N2  - In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography
UR  - https://ezproxy.uttyler.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctv11cw0v3
ER  -