000 04183nam a22005293i 4500
001 EBC1952962
006 m o d |
007 cr cnu||||||||
008 180219s2015 xx o ||||0 eng d
020 _a9781137450692
020 _z9781137450685
035 _a(MiAaPQ)EBC1952962
035 _a(Au-PeEL)EBL1952962
035 _a(CaPaEBR)ebr11032232
035 _a(CaONFJC)MIL727925
035 _a(OCoLC)900606957
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aHM621-HM656
082 0 _a301
090 _aHM621-HM656
100 1 _aMorse, D.
245 1 0 _aIrish Theatre in Transition :
_bFrom the Late Nineteenth to the Early Twenty-First Century.
264 1 _aLondon :
_bPalgrave Macmillan Limited,
_c2015.
264 4 _c©2015.
300 _a1 online resource (276 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 0 _aeBooks on Demand
505 0 _a"Cover" -- "Contents" -- "List of Illustrations" -- "List of Tables" -- "Preface" -- "Acknowledgements" -- "Notes on Contributors" -- "Introduction: The Irish Theatre in Transition" -- "Part I: Foundations and Refoundations in Historical Perspective" -- "1 The Irish Theatre: The First Hundred Years, 1897–1997" -- "Part II: Engaging with a Changing Reality" -- "2 Black Hole Experiences: Moochers, Smoochers, Dig Outs and the Parables and Spasms of Time in Conor McPherson’s The Night Alive" -- "3 Queer Creatures, Queer Place: Otherness and Normativity in Irish Drama from Synge to Friel" -- "4 Troubled Relations of Gender and Generation in Celtic Tiger Drama: Stella Feehily’s Duck and O Go My Man" -- "5 ‘The Politics of Aging’: Frank McGuinness’s The Hanging Gardens" -- "Part III: Enhanced Theatricality" -- "6 Theatricality and Self-Reflexivity: The Play-within-the-Play in Select Contemporary Irish Plays" -- "7 When the Mirror Laughs: Face to Face with Three Recent Irish Stage Worlds" -- "8 Then Like Gigli, Now Like Bette: The Grotesque and the Sublime in Mark O’Rowe’s Terminus" -- "Part IV: Reframing Transition" -- "9 Shakespearean Productions at the Abbey Theatre, 1970–1985" -- "10 Snapshots: A Year in the Life of a Theatre Judge" -- "11 The Irish Play on the London Stage: An Overview from Independence to the Present" -- "Part V: Inventiveness and Expanding the Stage" -- "12 The Diverse Dramatic Contributions of Frank McGuinness" -- "13 Pat Kinevane’s Forgotten and Silent: Universalizing the Abject" -- "14 Writing for ‘the real national theatre’: Stewart Parker’s Plays for Television" -- "15 Playing with Minds: Beckett on Film" -- "Part VI: On the ‘Re-Foundation’ of the Irish Theatre" -- "16 Sam Shepard, Irish Playwright" -- "Further Reading".
520 _aThe Irish Theatre in Transition explores the ever-changing Irish Theatre from its inception to its vibrant modern-day reality. This book shows some of the myriad forms of transition and how Irish theatre reflects the changing conditions of a changing society and nation.
588 _aDescription based on publisher supplied metadata and other sources.
650 0 _aEnglish drama -- 20th century -- History and criticism.
650 0 _aEnglish drama -- 21st century -- History and criticism.
650 0 _aEnglish drama -- Irish authors -- History and criticism.
650 0 _aTheater -- Ireland -- History.
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aMorse, D.
_tIrish Theatre in Transition : From the Late Nineteenth to the Early Twenty-First Century
_dLondon : Palgrave Macmillan Limited,c2015
_z9781137450685
797 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=1952962
_yClick here to view this ebook.
901 _aEBC
901 _aEBL
942 _cEBOOK
_2lcc
999 _c1019763
_d1024188