000			04100nam a22004933i 4500
001			EBC5205530
006			m o d |
007			cr cnu||||||||
008			200719s2018 xx o ||||0 eng d
020			_a9783319582627
020			_z9783319582610
035			_a(MiAaPQ)EBC5205530
035			_a(Au-PeEL)EBL5205530
035			_a(CaPaEBR)ebr11486557
035			_a(OCoLC)1016156231
040			_aMiAaPQ _beng _erda _epn _cMiAaPQ _dMiAaPQ
050		4	_aHM621-HM656
082	0		_a791.4309430901
090			_aHM621-HM656
100	1		_aFinocchiaro, Francesco.
245	1	0	_aMusical Modernism and German Cinema from 1913 To 1933.
264		1	_aCham : _bPalgrave Macmillan US, _c2018.
264		4	_c©2017.
300			_a1 online resource (272 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aeBooks on Demand
505	0		_aIntro -- Acknowledgements -- Contents -- List of Figures -- List of Music Examples -- List of Movies -- Chapter 1 Introduction: The Cinematic Paradigm -- References -- Chapter 2 Prologue: Cinema and the Arts -- 1 Vienna 1913: The Dawn of the Autorenfilm -- 2 Literary Cinema -- 3 "The Big Authors Go to the Movies" -- 4 Film-Related Transforming Dramas -- References -- Chapter 3 Cinema and Expressionist Drama -- 1 Arnold Schönberg and Cinema: Phase One -- 2 Alban Berg: The Draft for Nacht (Nokturn) -- References -- Chapter 4 Paul Hindemith and the Cinematic Universe -- 1 The Encounter with Arnold Fanck -- 2 Im Kampf mit dem Berge: "Eine Alpensymphonie in Bildern" -- References -- Chapter 5 Edmund Meisel: The Cinematic Composer -- 1 Between Compilation and Composition -- 2 Toward a Reform of Film Music -- 3 Potemkin: A Sound Film Ante Litteram -- References -- Chapter 6 Der Rosenkavalier: A Problematic Remediation -- 1 Problems of Dramaturgy -- 2 From "Dresden 1911" to "Dresden 1926" -- 3 Richard Strauss and the Film Music -- References -- Chapter 7 Cinema and Musical Theatre: Kurt Weill and the Filmmusik in Royal Palace -- 1 The Aging of Opera -- 2 Kurt Weill: Music in Epic Theatre -- 3 The Filmmusik in Royal Palace -- References -- Chapter 8 Alban Berg, Lulu, and Cinema as Artifice -- 1 The Lulu Film Interlude -- 2 The Symmetry Principle -- 3 The Scenario -- 4 The Music-Image Relationship -- 5 Cinema as Artifice -- References -- Chapter 9 New Objectivity and Abstract Cinema -- 1 New Ways -- 2 The Idea of Absolute Cinema -- 3 Music in Absolute Cinema: Lichtspiel Opus 1 -- 4 Music and Cinema in Baden-Baden -- 5 "Film und Musik" 1927 -- 6 "Experimentalvorführung Film und Musik" 1928 -- 7 "Tonfilme" 1929 -- References -- Chapter 10 Between Film Music and Chamber Music -- 1 "Kammermusik oder Filmmusik"?.
505	8		_a2 Arnold Schönberg and Cinema: Phase Two -- 3 The Begleitungsmusik op. 34 -- 4 Franz Schreker: The Vier kleine Stücke -- 5 The Musik-Film of Josef Matthias Hauer -- References -- Chapter 11 Epilogue: The Dawn of Sound Cinema -- 1 The Talking Man -- 2 Alienated Sound Film -- 3 Kurt Weill, Hanns Eisler, and Musical Montage -- 4 Music and Cinema: A Mutual Legacy -- References -- Bibliography -- Index.
588			_aDescription based on publisher supplied metadata and other sources.
650		0	_aMotion pictures and music..
650		0	_aMotion pictures-Germany-History-20th century.
655		4	_aElectronic books.
776	0	8	_iPrint version: _aFinocchiaro, Francesco _tMusical Modernism and German Cinema from 1913 To 1933 _dCham : Palgrave Macmillan US,c2018 _z9783319582610
797	2		_aProQuest (Firm)
856	4	0	_uhttps://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=5205530 _yClick here to view this ebook.
901			_aEBC
901			_aEBL
942			_cEBOOK _2lcc
999			_c1077772 _d1082197