000 04100nam a22004933i 4500
001 EBC5205530
006 m o d |
007 cr cnu||||||||
008 200719s2018 xx o ||||0 eng d
020 _a9783319582627
020 _z9783319582610
035 _a(MiAaPQ)EBC5205530
035 _a(Au-PeEL)EBL5205530
035 _a(CaPaEBR)ebr11486557
035 _a(OCoLC)1016156231
040 _aMiAaPQ
_beng
_erda
_epn
_cMiAaPQ
_dMiAaPQ
050 4 _aHM621-HM656
082 0 _a791.4309430901
090 _aHM621-HM656
100 1 _aFinocchiaro, Francesco.
245 1 0 _aMusical Modernism and German Cinema from 1913 To 1933.
264 1 _aCham :
_bPalgrave Macmillan US,
_c2018.
264 4 _c©2017.
300 _a1 online resource (272 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 0 _aeBooks on Demand
505 0 _aIntro -- Acknowledgements -- Contents -- List of Figures -- List of Music Examples -- List of Movies -- Chapter 1 Introduction: The Cinematic Paradigm -- References -- Chapter 2 Prologue: Cinema and the Arts -- 1 Vienna 1913: The Dawn of the Autorenfilm -- 2 Literary Cinema -- 3 "The Big Authors Go to the Movies" -- 4 Film-Related Transforming Dramas -- References -- Chapter 3 Cinema and Expressionist Drama -- 1 Arnold Schönberg and Cinema: Phase One -- 2 Alban Berg: The Draft for Nacht (Nokturn) -- References -- Chapter 4 Paul Hindemith and the Cinematic Universe -- 1 The Encounter with Arnold Fanck -- 2 Im Kampf mit dem Berge: "Eine Alpensymphonie in Bildern" -- References -- Chapter 5 Edmund Meisel: The Cinematic Composer -- 1 Between Compilation and Composition -- 2 Toward a Reform of Film Music -- 3 Potemkin: A Sound Film Ante Litteram -- References -- Chapter 6 Der Rosenkavalier: A Problematic Remediation -- 1 Problems of Dramaturgy -- 2 From "Dresden 1911" to "Dresden 1926" -- 3 Richard Strauss and the Film Music -- References -- Chapter 7 Cinema and Musical Theatre: Kurt Weill and the Filmmusik in Royal Palace -- 1 The Aging of Opera -- 2 Kurt Weill: Music in Epic Theatre -- 3 The Filmmusik in Royal Palace -- References -- Chapter 8 Alban Berg, Lulu, and Cinema as Artifice -- 1 The Lulu Film Interlude -- 2 The Symmetry Principle -- 3 The Scenario -- 4 The Music-Image Relationship -- 5 Cinema as Artifice -- References -- Chapter 9 New Objectivity and Abstract Cinema -- 1 New Ways -- 2 The Idea of Absolute Cinema -- 3 Music in Absolute Cinema: Lichtspiel Opus 1 -- 4 Music and Cinema in Baden-Baden -- 5 "Film und Musik" 1927 -- 6 "Experimentalvorführung Film und Musik" 1928 -- 7 "Tonfilme" 1929 -- References -- Chapter 10 Between Film Music and Chamber Music -- 1 "Kammermusik oder Filmmusik"?.
505 8 _a2 Arnold Schönberg and Cinema: Phase Two -- 3 The Begleitungsmusik op. 34 -- 4 Franz Schreker: The Vier kleine Stücke -- 5 The Musik-Film of Josef Matthias Hauer -- References -- Chapter 11 Epilogue: The Dawn of Sound Cinema -- 1 The Talking Man -- 2 Alienated Sound Film -- 3 Kurt Weill, Hanns Eisler, and Musical Montage -- 4 Music and Cinema: A Mutual Legacy -- References -- Bibliography -- Index.
588 _aDescription based on publisher supplied metadata and other sources.
650 0 _aMotion pictures and music..
650 0 _aMotion pictures-Germany-History-20th century.
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aFinocchiaro, Francesco
_tMusical Modernism and German Cinema from 1913 To 1933
_dCham : Palgrave Macmillan US,c2018
_z9783319582610
797 2 _aProQuest (Firm)
856 4 0 _uhttps://ebookcentral.proquest.com/lib/uttyler/detail.action?docID=5205530
_yClick here to view this ebook.
901 _aEBC
901 _aEBL
942 _cEBOOK
_2lcc
999 _c1077772
_d1082197